strannikov

About Me

A mere provincial, I began flash fiction late in 2007: work appeared first @ Delicious Demon (archives now closed), then @ Language Is a Virus (archives now closed). 2010 and 2011: appeared @ Gone Lawn Journal/Gone Lawn Excavation Project and @ Metazen (archives seem closed as of December 2014) and as of December 2011 here @ Fictionaut. February 2012: @ Dead Mule School. March 2015: @ The Miscreant.

Took to verse unaccountably in 2016.

Why do you write?

Flannery O'Connor answered as well as any: "Because I'm good at it." Naturally, I don't write as well as Cousin Flannery, but that's her fault, not mine. While she mastered the short story to get the ordeal of writing over as promptly as possible, flash and verse (haiku, senryu, tanka, and kyoka, at least) offer even more immediate relief.

Mottos and maxims:

"The text, the text, the text."
"Once a writer, always an editor."
"In life it's always something, in publishing it's always something else."
"Applied technology giveth and applied technology taketh away: blessed be the name of applied technology."
--Oh, and: "A 'strannikov' a day keeps anomalocaridids at bay." (This constitutes my enduring promise to my readers: if you read one tale or set of verse by strannikov each day, you need never fear being attacked, assailed, or assaulted by any anomalocaridid.)

Any favorite authors? Books?

Authors: Juvenal. Lucian. Dante. Villon. Machiavelli. Marlowe. Burton. Vico. Swift. Poe. Gogol. Dostoevsky. Maupassant. Jarry. Twain. Bierce. Saki. Akutagawa. Čapek. Bulgakov. Kharms. Faulkner. O'Connor. Waugh. Simenon.

Books: in addition to those represented by the folks above, some recent reads and re-reads: Mikhail Bulgakov/The Master and Margarita; Karel Čapek/The Makropulos Secret; Edward Corbett and Robert Connors/Classical Rhetoric for the Modern Student; David Jones/In Parenthesis; Dylan Thomas/Quite Early One Morning.