Eddie meets Sarah Packard, a “college girl” played by Piper Laurie. She walks with a limp, a fact Eddie doesn’t notice at first because she’s sitting down at a diner table in a bus station. She’s alcoholic and writes poetry.

He calls it an owl glass: he’s allowed: he’s six.

You were gone, long gone, and I could no longer smell your scent as I walked through the empty house. I couldn't bring myself to unpack the boxes, and they lurked like a forest of overgrown drab Legos.

The night we broke into Bron-yr-Aur it was too cold to make love. I said I wasn't horny anyway. You put your hand on my forehead: Are you ill?

I guess you’re gone now That’s okay I guess I can live with my own ghosts I had no idea What it meant But now I do It meant I was standing At the end of everything And did not know it

After years of unsustainable binge spending and a global economic semi-meltdown, most people have had to cut back on their expenses. Many folks are struggling to make do in this new and bewildering economy and we are all learning to live on our means, rather than beyond…

"Now, I'm not no Holocaust Denier . . . I just think it was a little bump in the road! Like Reagan said about Watergate . . . 'Mistakes were made,' and all. Well, shoot . . .…

None of this is real, he says, and the path slopes down to a house that is possibly haunted. One always looks in such windows, one cannot not look at the predictable detritus of another's failure, a queer satisfaction, a fairy's dust. But no, not real, none of it. And…

Beneath an opal moon, the open field and wilderness across it look immersed in varying shades of blue. A strong night howler blows across a little girl's face as she walks the field as if in a trance; her whole visage framed against the backdrop of this very act …

I got on the Greyhound Bus at 11 a.m. and sat by myself staring out the window. I could see the reflection of my own dark beard in the window, a 27 year-old man with a huge poem bursting my heart, gasping to get out into the bright lit-up world out there,

(the vast preponderance of dark matter and dark energy discernible in these latter days begins to suggest just how dark the humor of existence is) . . .

Past the pavilion, past the factory, past the underside of the bridge where the surfers jimmy their sloppy fingers over the oil barrels.

A figure left the building.

Alysia tried to focus on what was important, but it was too much to bear. She was ready to dive down when a shot of wind blew past her, causing her and Megumi to lose control over their gliders.

We are/no more than heartbeats on repeat.