961 4 2
|
Maria Monsanto, the curator of Francesco Martinelli's Atmospheres show, stood in the middle of the third-floor gallery.
|
1104 5 3
|
—Mr. Martinelli, can you explain how you developed your painting technique?
|
1112 6 3
|
If you shoot at them now, it'll be attempted murder or, worse, premeditated murder.
|
972 2 1
|
Francesco entered the gallery, and he immediately went to work.
|
995 1 1
|
Oriana, much as she wanted to, did not sleep with Francesco, propriety ruled.
|
964 2 1
|
Francesco tried to fix Oriana's face in his mind as he blindly walked to the taxi queue.
|
1267 5 3
|
In his dreamlike state the pianist turned into a preying mantis.
|
904 5 2
|
—Francesco, said Zambrano, rising from his desk and putting his arm around Frank's shoulder. You and me, we're business partners. Regular capital crime buddies.
|
1283 4 2
|
Frank shouldered his backpack, grabbed the leather satchel packed with his brushes, palette knives, pens, and pencils, and exited the vaporetto at the Rialto Bridge.
|
950 4 2
|
The rising sun was hidden from his eyes by the hips of the woman next to him in the bed.
|
924 2 1
|
Airports are always a casino, said Oriana
|
989 4 2
|
When I returned to Brooklyn, I discovered some explicit nude paintings of a former student of Francesco's from the Art Students League.
|
1189 6 3
|
That is a pretty damning statement.
|
1139 4 2
|
—Man, what a tearjerker way to end an interview, said Ben.
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