by Darryl Price
I was thin young. There's a kind of freedom to be found when walking around inside that kind of body that allows you to have in this world what's known as a presence. People see you eating but they can't make out what for. You're not going to gain an ounce. It's not that they feel sorry for you. You just seem to come with a certain kind of strange unknown magic (about you). It can be felt but not really traced. It's like you have a little secret but everybody knows you do. Some of them wanted it for themselves, you could see it in their eyes. Yes. They want it badly. But I would say most of them simply don't trust it. So what you get is looks all day long. So it's radiating vibes all day long, either of the don't come near me type or the come here boy I want to buy some of that type. I also had fairly long hair then I suppose but only because I couldn't be bothered with going somewhere to get it cut. It seemed like an awful waste of what little money I ever had on me. Money was for fun, as much fun as it could be stretched out to buy, so I went to the state fair with my dinky camera and my little money pile to see what I could see.
The first thing I saw was a woman in a polka-dotted dress sitting on a park bench eating an ice-cream. She was making little slurping sounds around and around the cone in her hand because the ice-cream was dripping like a fountain, like a volcano that had just erupted, like a candle in fast motion, and believe me, she was having trouble keeping up with it all, but that wasn't what was the most interesting part for me. She literally took up the whole bench by herself-- from one end to the other. I asked her if I could take her picture, and she said, "Why sure, honey.” She gave me a very practiced pretty smile and held her ice-cream cone out to the camera, as if to say, ”Would you like to share some of this with me?” I thanked her and quickly moved on in the direction of the barker's row.
In those days, if you wanted to get from one side of the state fair to the other rather quickly you went behind and in back of the stadium and walked through the rows upon rows of barkers, some calling out, ”See the only still living mermaid around,” or ”meet the girl of your wildest nightmares—half human and half-gorilla.” Stuff like that. I was walking as fast as I could go without making eye contact with anyone, young or old, fairgoer or fair employee. And I'd almost made it—I could see where the real fair stuff started again—the wafting food smells, the rising and falling noises coming from the rides to the throngs of endlessly walking people--when a voice called out to me, ”I can see you there boy, don't run away from me, this is something you've just got to see for yourself, if only to tell your grandchildren about it one day, only fifty cents; the head of a beautiful woman and the body of a hideous snake, don't pass up this rare opportunity of a lifetime, take a chance, only fifty cents! ”What could I do?
I gave the man in the striped shirt and the funny looking bowler type hat my fifty cents and I went inside a small tented room. What I saw there was a large beat-up looking army colored low mesh cage sitting in the center of the floor and inside it was the most beautiful face of the most beautiful looking woman I had ever seen before, sitting atop the stacked and coiled body of what looked like a giant snake. We looked at each other in utter silence. I couldn't take my eyes off of her. I wanted to kiss her.
Finally I mustered just enough breath to hoarsely mutter ,"Hello.” She smiled at me through those perfectly beautiful teeth and her really red red lipstick and said, ”Hi. What's your name then?” I told her my name and she told me hers, although I immediately forgot it because I couldn't really pronounce it anyway, but it sounded sort of exotic. “What do you do, ”she asked. I told her I worked in a bookstore, and she said, ”Oh I love books!” After that we had a full on conversation about books and movies and she told me she was getting a degree through the mail and, and she was just the nicest sweetest person I had ever met in my entire life up to that point. She dazzled me in every way. It turns out she was in an automobile accident that had left her paralyzed from the neck down and she and her husband, the barker outside the tent, were just doing this to make a little money, and to have a little fun. To say I liked her would be an understatement. I adored her. Nothing about her made you feel the least bit sorry for her. She just simply wouldn't allow that feeling to come out of you. She required no sympathy. I felt like I had met an angel. I still wanted to kiss her.
Just then the tent flap flew open and in walked a boy of about ten years old and his two doting parents. All three of them were wearing blue duck-billed caps that looked like they'd also served as maybe rain bonnets somewhere in the last few years or so. The dad was round, the mom was round, the kid was round. They looked like a family of balloons or lost together balls. The kid runs right up to the cage then and puts his chubby fingers through the mesh and shakes the whole thing and starts screaming, “Oh, God!” I turned and walked out of there and gave the barker husband a kind of backward wave goodbye. Later on, at home, I realized I hadn't taken a single photograph of her.
Bonus poem:
HOW TO REMEMBER IMPORTANT THINGS by Darryl Price
Save the whales. Save the dolphins.
Save the bored housewives.
Save my hands, so often cupped over the sorrow in
being alive. Save the beautiful
made-up cherries of delight
I feel everywhere in your presence.
Save the sprawling landscapes
of late night cafeterias of the mind.
Save the often forgotten radios of our flying dreams.
Save the hand-printed love
letters of early morning light. Save the inexhaustible
curiosity of a small interior poem of silence.
Save the naked air.
Save the Spanish tongue of Neruda.
Save the sparkle in
the brushstrokes of a Picasso.
Save storm and the rainbow.
Save the North Sea. Save shadows.
Save all hearts from
beginning to break again.
Save the ripped apart sky from
the rain of so many angry bombs leaking inside.
Save the secret handshake. Save the Pandas.
Save the sea turtles. Save the roses. Save the last dance.
Save the sailing boats and floating planes
of melting romance. Save whatever makes
no sense. Save this feeling. Save the butterflies
with passionate, provocative kisses.
Save the question of imagination. Save the end
of the poem until you really need it. Save the
world from itself. Save your wild goodbyes.
Save every word.
What I Would Like to Say to You(final version)
Is this the place, where I finally
end up frozen dead in my tracks, found walking alone & with a stick
and a dog,sporting
a cat hat, alone on the tip
top of a hill, no longer
concerned with the wind's
icy fingers scratching down my neck? I'm here
and yet I'm also at home everywhere in this God forsaken place.
I prefer the big rocks, you know, and
the soft and green and thick
moss of mid to late summertime, the
great fluidity of
that enormously beautiful animal we love to see and hear
and call the water,
soaking up the sun, the
burning maidens splash dancing all over
with little white clouds tied
around their fabulous bellies. Ah, who
would ever want this vision to
end, brothers,without starting
to weep uncontrollably?Yet there it
is all perfectly wrapped up
in an otherwise grey
chunk of missing road laid out here long before me. An end. The end. Every step
or misstep I have taken now leading me
around in circles of sorrow and grief has
finally dropped me off the grid's fingertips without you at my hand or elbow today.
Whatever rain there was a moment ago now
has pulled itself back out of
the mist shot like a reversed arrow into the past. Perhaps these
angels they love to talk about so much
are only made out of the
things you cannot ever truly see for yourself.
Nobody's coming, not
for me, not even buzzards,
no wolves or snakes unless
they're already here
and I'm just what's left with
a few bones thrown in for
good measure. Did I make
this poem up or did
it make me up into its own private touring bus this morning?Oh well then perhaps
one more cup of cola will do the trick
for the long night ahead of us. This letter was
never in my pocket
to begin with and shall
not be mailed out to you today.
Darryl Price 072706-060110
26
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Now up at Ramshackle Review thanks to Mark Reep.
Reprinted at Wilderness House Literary Review in January 2012 thanks to Susan Tepper.
Really enjoyed!
I'd like to see more prose like this.
You really surprised me with this, Daryl.
Darryl--Well done.
I'm with Carol - you did surprise me with this & I absolutely loved it - reminded me of Carson McCullers *.
Oh, my goodness, DP. More stories. This is wonderful.
I was so caught up in this--much to my surprise. The turning point for me was "and believe me she was having trouble keeping up with it all." From there, you had me. So well done. thx for this darryl
Darryl, this is a fine story. You snuck up on everybody with this one. You should do this more often. Really.
This is fine yarn well told, esp in the little details as when the snake woman says "what's your name then. That one extra word is so very right that it makes the entire piece entirely believable and immediate. It also encapsulates the feeling of "and then, and then" that so effortlessly moves the story along. Good post.
Great atmosphere in this piece. And it's just all'round good. *
I’m with the crowd. More prose please! So enjoyed this one.
Great premise. The snake woman is wonderful character. I wanted to kill the fat little boy.
Fun stuff here, DP. I love the voice here, the experience of it all. And all those details: they stick.
You're a real adventurer, aren't you? Into the circus tent of prose: Dive in! Dive in!
And yep, keep 'em coming!
:)
Prose or poetry, I always love your take on the world, Darryl.
"They looked like a family of balloons"
yes
like the way this moves, dp
thx for sharing--
*
Lovely! I enjoy the whimsy in this, Darryl. :)
This is so lovely, Darryl. What a bright, wonderfully observant, big-hearted voice. If it were a film, it'd be shot on Kodachrome! *
Darryl- WOW. This is so freaking good. Huge fav.
Wow, wow, wow. I love this, DP. *
Poetry may be your love, but prose could mistress into the room and stay if it so pleased, D.
This story is both a surprise and then not a surprise at all. The pen you hold is still held by your fingers, man, no matter the form. It's all going to end up sitting atop that golden bar you searched for and found.
Absolute favorite. Many *s.
Gorgeous, Darryl. Starts with a bang and keeps on unfolding, like you take the reader into a carnival tent, only it's not a trick, it's real, magic.
I could drink from this all day. *
Fab! I love that presence.
oh man, this is greatness my friend. YES!!!!!!
DP, so good to see you on the dark side ;^) Great stuff here, keep it coming. Peace...
Exquisite.
*
Beautiful, Darryl!!! From beginning to end you pulled me in and I walked with that boy and got inside his skin!!! And with such poetry!!! ******
I can see that dinky camera and the brave boy wanting to kiss the lady atop that smake.
sad ending.
You knocked it out of the park with this one, Darryl! Big fave!
Wow, you have a knack for description!
I simply adore this piece and wish I could fave it again. It was the story I used for Darryl's Monday Chat. I think it has magic.
fine work. great details...*
That is a very fine, well told story. Fabulous descriptions and emotional pacing. Greatly, greatly enjoyed. *