You have arrived at the river,
numb with the murmur of the city
and the sleeplessness of anger, boredom,
and too many people loving
too many people too much.
The heat in this night,
not the moon as in ancient poems,
is blazing; the moon is pink
like the washed-out dress
of an impoverished child. The thick dust
of the city lies around it, heavy
like a distance, and it would be easier if
you could sleep. But there is so much absence:
One girl's long dark hair not touching you,
but flooding you more deeply than a dream.
You imagine her sleeping, cradled
in the faithfulness for which you came
to her too late. You imagine
everyone sleeping, you also
imagine her stepping behind you
now in a dance that will not be. You
do not turn around to the impossibility,
so that she ebbs away into the hours
of dark stones. Twice in this night
the watchmen asked what you were doing
in the city, meekly
you explained and hated
the suspicion in their eyes, the frowned
expectation that you did not belong
there, and soon you may begin to agree,
even if you have your keys along.
You had to leave before, for the third time
asking, they would have convinced you.
So you came to the river,
to the earliest call of the birds,
wishing you could touch their impatience
for day, for you have none
inside this ceaselessness of being.
And suddenly you pity the world
for all its beauty that you cannot hold,
its secrets that may always wash away
from you, like water from your hands,
downstream, where finally you lose
the waves to darkness, and to
the slow rift in the horizon
that grows like a patient cadence of music
into the weight of the sky,
or like invisible hands pushing up
the heaviness as though by prayer,
letting the disk of the sun glide
out from the water like a mercy, for there is
nothing the dust of the city
can do to alter the sun that mirrors
you in water as you follow
with your eyes until it is
complete, forbidding it its brightness.
And between the sun and you the trees
stand calmly, combing the light
with their still branches, and suddenly
you do not need a god, or love
to hold this rising of the world
for you, out of the dark.
You wonder what these trees are called.
22
favs |
1851 views
40 comments |
413 words
All rights reserved. |
This was (and is) dedicated to a man named Mark.
It's from my early book "Letters to a Stranger."
Several phrases in this piece are like those still, timeless moments in music, particularly, for me, the trees "combing the light with their still branches."
This piece gave me a bit of oasis time today. Thanks.
If I tried to list all the lines that captivated me, I would go on for far too long, Beate. You are a poet.*
Beautiful to see and to hear.
*
Yes, there are lovely quotable lines but this is a poem that absorbs them to an entirety of mood and song.
Each time I read this, I am filled with more and more meaning like watching a landscape change with the change of the light. I think the wistfulness gets to me the most. Lovely.
Well done, Beate -
"And suddenly you pity the world
for all its beauty that you cannot hold,
its secrets that may always wash away
from you, like water from your hands,
downstream, where finally you lose
the waves to darkness, and to
the slow rift in the horizon
that grows like a patient cadence of music
into the weight of the sky"
Great rhythms and phrasings. Strong form. I like the poem.
Thank you, Carol--I love those combing branches, too.
Joani, thank you. I miss my poetry. It seems I've been too angry for poetry for far too long.
Thank you, Gary and David and D. and Sam. I'm glad now I pulled out this poem from the archives. Maybe it was high time.
wonderful writing. "you wonder what these trees are called..."
fave.
Lovely lines:
"The heat in this night,
not the moon as in ancient poems,
is blazing; the moon is pink
like the washed-out dress
of an impoverished child."
A wonderful poem here.
A fantastic poem and journey, Beate.
*
Thank you, James--"You wonder what these trees are called." is my favorite sentiment here, sort of Ok, life, I'm ready to participate again in spite of everything.
Thank you, James, for reading, commenting, and quoting.
Thank you, Roberto, for the comment and the subsequent exciting invitation.
Wondermous imagery here, I am especially drawn to the second line which sets the quiet stage. I like this poem, and hope to see more from you. Peace *
Thanks for the beautiful comment, Linda. Peace.
lovely lovely all the way through, agree with David James about his favorite lines, that is where my heart was most caught, that image especially somehow.
Thank you for your comment, Meg!
Nice poem Beate. Love the last line. *
I'm reading with my ears this morning. So much resonance here (though I first read the title as the Latino surname . . .!?) *
Oh, this is just tearing, a kind of beautiful blood-letting.
*
Gloria, thank you!
Jane, of course you would read it as the Latino surname first. Anything that gets your attention is fine with me!
Thank you for the beautiful comment, Susan.
I love how this captures the rhythm of the falling water:
"And suddenly you pity the world
for all its beauty that you cannot hold,
its secrets that may always wash away
from you, like water from your hands,
downstream, where finally you lose
the waves to darkness, and to
the slow rift in the horizon" *
It doesn't matter where I dive into this forest of words and sentences, I come out feeling and touched. This is beautiful work. Especially the last line settles it for me.
Thank you, John, for the rhythm of the river.
And, Marcus, thank you for actually diving in! *
"You have arrived at the river,
numb with the murmur of the city
and the sleeplessness of anger, boredom,
and too many people loving
too many people too much. "
What an opening! Really beautiful, Beate.
Thank you, Gessy.
Just lovely in its lyrical essence and lifting, lulling lines. The water essences swept me away. This is one I want to read over and over. And over.
Fave.
You're so kind, Robert. Thank you.
This is a gorgeous, sinuous, bejeweled poem. This begs to be read and heard aloud. *
Thank you for your bejeweled comment, Michael.
Great poetry, greater than the sum of its many great parts.
"the sleeplessness of anger, boredom, / and too many people loving / too many people too much"
"inside this ceaselessness of being"
"grows like a patient cadence of music"
*
Thank you, J. Mykell. What a wonderful comment.
"too many people too much" — I hear you. The ending matches the beginning so perfectly.
Thank you for hearing, J.A.! and for your lovely comment.
Beate, how I would love to live inside your head for just one day! Lovely, indeed. *
You make me smile, MaryAnne.
And between the sun and you the trees
stand calmly, combing the light
with their still branches, and suddenly
you do not need a god, or love
to hold this rising of the world
for you, out of the dark.
You wonder what these trees are called. *****!
Larissa, thank you for your quote and "*!"
I love the flow of this.
So you came to the river,
to the earliest call of the birds,
wishing you could touch their impatience
for day, for you have none
inside this ceaselessness of being.
My, how you paint with your words... this subtle moment, this observation infused with such pathos.
This poem made my heart beat faster, Beate. I still feel it flowing over me... thank you for this beauty!