by Kathy Fish
Tom Brace stands naked in front of a mirror doing something resembling the Twist. He watches his paralyzed left arm arc across his body, then swivel around and disappear behind his back. He does this over and over again. He's very high and it makes him laugh.
He's alone in his motel room, casting glances at the cable rerun of Get Smart, and laughing at that, too.
"I'm a parlor trick now," he says to his reflection. "A parlor trick that needs to diet." He sighs. The Cone of Silence descends upon Maxwell Smart and his boss, that bald guy.
Last night Tom'd been beaten up by a guy with pointy teeth. He'd yanked Tom's arm high up behind his back. Luckily, the arm had two years before been paralyzed by a stroke, so he felt no pain, only a strange airy feeling when the shoulder joint had been forced out of its socket, as if a hole had been drilled through his skin.
"You have dust on your shoes," he said to his attacker before passing out.
Now his shoulder hangs halfway down his ribcage. He swigs some wine. "Fruit of the vine and work of human hands," he says, archly.
When he was ten, he'd fished for crappie in the Shell Rock River with his father. His father taught him how to cast his line and crank it back in slowly. He caught five, learning to render them motionless by grasping and lifting them up by the lower lip. His father told him he was a natural and took him out for pancakes so big they drooped over the sides of the plate.
Tom leans into the mirror and points to himself. “Not once did he have to tell me to watch my mouth.”
Tom applies eye shadow with his working hand. He wants to look like Agent 99. He thinks about the Venus de Milo, how perfectly presented she is in the Louvre. He's going for an Agent 99 version of that.
The room's dark except for the sunset coming in where the drapes fail to meet the windowsill, and it's silent except for Maxwell Smart and his boss shouting at each other under the Cone of Silence. Tom's legs buckle, but he locks his knees and stands tall. Tonight, he will be magnificent. He will pretend he has no arms at all.
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Originally published in Pank Magazine.
Wow. This is something. Love the references to Get Smart and that last line. I love Tom's spirit and feel badly for his isolation. Love that line about the father not having to tell him to watch his mouth. Great piece. "*"
Lip by Fish. Very interesting.*
Great opening line. This is sharp and weird and I like it. *
Hey, Chris, Tim, and Kyle, thanks so much!
Hooked in many ways. Great metaphor and you develop it clearly and compassionately. It would have been easy to be "cute" with such a great hook (see what I mean?) and its says a great deal that you weren't. Love it. *
Thanks so much, John. Yeah, I do try to avoid being cute with my characters. I'm so glad you liked this one. (ha, took first version of this comment down & fixed the typo).
I especially like the sudden reveal--unexpected by me--of Tom's gender cross, which snapped me back to the question I had as to why somebody'd beaten him up. Then of course there's the lip motif, which crept up on me more subtly. *****
I love physically small, complex things so naturally I love this.
Thanks for the great comments, Mathew & Gary. I appreciate the reads.
Jesus, this is good.*
*, Kathy. Amazing story, so well told.
Gary & David, thanks so much! I'm glad you liked this story.
I agree with Chris.*
Thanks, Amanda!
*Straight to my heart, Kathy.
Those last lines are spectacular. You set them up and deliver them so well. Odd, wonderful, charming and sad all rolled and twisted in one.*
Thanks so much, Nonnie & Emily!
I'm going to read this tomorrow when I am sober and then comment on it properly.
Love *
Stories like this - unexpected, mysterious yet filled with clarity - is what made me fall in love with flash. *
Thanks, Marcelle! & Charlotte, I love your comment. Thank you!
Thanks, Samuel, I look forward to your comments...
Remember reading this at PANK and wondering, who the HELL is this AMAZING flash writer. And then, when I discovered Kathy Fish, it all made perfect sense. Bravo! *
Way too kind, of course, but thank you Robert!
Sublime.*
Thanks, kindly, James!
Nicely done.
I really love this, Kathy. So much depth to a character in so few words.*
Thanks, Adam!
Jen, thank you so much! I'm still thinking about your short story at Atticus Review. That ending...whoosh!
At first I thought of "Silence of the Lambs" mirror scenes, then it all became clear in a flash, as it should. *
Thanks much, Daniel!
Very fine, indeed. Moving character creation/setting/action. Wow-good.
Appreciate the feedback, Ed. Thanks.
The sadness is enveloping. Terrific.
Thanks so much for the read and kind words, Paul.
I love all the layers in this. Very unexpected and vivid. Fave...
I love all the layers in this. Very unexpected and vivid. Fave...
Thanks, Deborah!
Compelling, mysterious, raw, brutal and intense. What an evocative portrayal. Who the heck IS this guy and what makes him tick? *
Really appreciate the kind words for this story, Michael. Thank you!
And thanks to everyone who read & commented & hung a star on this story. It means a lot to me.
kathy, again! wonderful story *
Thanks, very kindly, Gary.
I'm taking a break from Fictionaut, but I see you have posted something and I'm eager to read it, so I will. : )
enjoy the break, ikathy--sometimes one needs to step away, yesssss