by Jack Swenson
Max leads the parade up the hill. He is sawing on his violin, wearing nothing but a raincoat. He has removed the girl's blouse and bra. She and Max's wife are huddled by the cabin door. I am pleading with Max to go back inside, but I am laughing as I do so.
Max is drunk. The others are feeling no pain. We all had too much wine with dinner. The girl's cherub of a husband is asleep on a day bed by the fire. I catch up with Max and pull him back in the direction of the cabin. He grins when he sees the girl. He has taken off her clothes, seen her naked, but he hasn't had sex with her, he says. He is thinking about it. She is a virgin. Her husband is gay. It is a marriage of convenience, Max claims.
The path to the cabin is ablaze with light as we turn and go back. The cabin roof glows red and white. The grass is black. The moon is full. Night birds flash white bellies as they circle the chimney.
Earlier, before dinner, I was an audience of one while the four musicians played string quartets. The music was thin. The musicians were tentative, too careful, afraid to make mistakes. It was later that the party goers trooped outside and Max set fire to the night.
11
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236 words
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One of a series inspired by a fond memory and art work by Chagall.
Comedy, thy name is wine.
"...Max set fire to the night." Jack, you make debauchery so classy.
Oh Jack, this is wonderful! I love the mood caught in the people, the niight, the merriment!
"The Doors," for strings. You throw the best parties, Jack.
Jack, you seemed to have thrown a little bit of everything into this story. Love what you create here.
I love how you spin gold out of straw. Nice work, Mr. Swenson. . .Oh, what the heck. I'm just gonna call you Jack and you can call me Mar.
throw another fave on the pile. . .
Go Jack! BTW, what is a "marriage of convenience" exactly?? ha ha!
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Yes to this, Jack. Good atmosphere here. I like the piece.
I enjoyed this, including the visual intensity-I think my favorite part is mentioning that the grass is black.
i always enjoy you going to the pictures, jack.
The feel is surreal, the imagery concrete: your writing's a treat.
I never know what to expect and I am never disappointed.
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Bill, you are a prince. Thanks so much for your comment about my Chagall rip-off. Thanks for the * too.
I've been meaning to read this, and am glad I did. Another engaging dream-like piece. *