by Bill Yarrow
I pick Magritte up from the bottom of a star.
He is desolate with lavender.
"Who is it?" he moans, touching my wrist
with his wing. I help him to his feet,
careful of his cedar leg.
Behind his grimace he is smiling.
Like a man drowning in warm water.
We climb through a busted window.
Magritte cuts his arm. Blood drops out
like rusty pennies. A mermaid
standing on wet gravel waves to us.
He doffs his bowler.
The black paraffin that fills his head
spills out.
This always happens.
"What's in your palm?" he asks.
She opens it.
It's a baby oyster
covered in cobweb.
The day's as gray as a century of salmon eggs.
One sun-pocked building catches my attention.
"No," he says. "Under this arch."
We cobble our way through old streets,
pass vegetable merchants, occasional hunchbacks,
daughters yet to be consecrated.
Arriving at the pier I see a sailboat in dead wind.
"That is pathos," Magritte says,
pointing to a barnacle.
She folds and unfolds her kerchief
folding her eyes in her lap.
Her fingers are long and drawn and thin
like hollow reeds or scabbards.
She is all meekness, all pastel.
We see her at the scaffold
darkening in the air
where the clouds are heaving like minstrels
and the hawks watch as they fly.
Her majesty derives from open clouds
yet she derives from twilight.
We salute her in tandem
and gasp as her voice rises
and rises into our eyes.
That evening, stepping over lengthening shadows,
we are in Toledo where the moon
appears as the white bone of a rose,
where four clouds create the horizon,
where four sounds echo through the trees.
At the curtain of the city
we come across a thin strand of finger
belonging to El Greco.
"Give that to the woman,"
says Magritte.
"She has more need of the digit
than we."
And on that day, the Creator said to Speech, "What makes your skin flat
like the river? I shall give you wounds to perform in your flesh
so that you may never be plain to me." And He was pleased
with the lesion which He called Silence and touched His lips to the sky.
That place, today, is forbidden to birds.
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This poem originally appeared in Central Park: A Journal of the Arts and Social Theory in 1981.
Thank you, Stephen-Paul Martin.
The poem appears in Pointed Sentences (BlazeVOX, 2012).
Video: http://www.youtube.com/watch?v=s_9A5i1WKIg
(I posted this over a year ago but accidentally deleted it and am reposting.)
This poem appears in "Against Prompts."
https://www.amazon.com/Against-Prompts-Bill-Yarrow/dp/1943170282
There is a Margritte exhibition on at the Albertina in Vienna until February. Your poem has given me a good nudge to go and see it. Thank you.
Apologies for the typo - Magritte.
Magritte! nice!
fave!
Glad you reposted, Bill. Great form.
"Arriving at the pier I see a sailboat in dead wind.
'That is pathos,' Magritte says,
pointing to a barnacle."
&
"Now the tendon of God is stretched to plain view.
A million onions have been carried to the mirror.
Long birds fly in broken formation."
aaaahhhhh - Yes.
Wonderful piece.
lovely - soaring prose
Great poem, Bill. Looking forward to reading your book. Thanks for reposting so we could read this poem again. Stars *
One dazzling favorite image after another. I'm too dazzled to even pick one. If I had, to, though: "That place, today, is forbidden to birds." Wonderful poem. *
I hope you will make something starting with Joseph Cornell. Perhaps you have and I just haven't seen it yet. Delightful poem, Bill.
Love how these images move, Bill!!! "The black paraffin that fills his head
spills out." So many great ones here!! Outstanding poem!!! ****
"She is all meekness, all pastel."
this flows with so many new images--the above struck me--so exact--*
Inspired! "He is desolate with lavender," "It's a baby oyster covered in cob webs."*
An enjoyable read. I loved part 5. Toledo...
'where the moon appears as the white bone of a rose,
where four clouds create the horizon'
Marvellous stuff!
beautiful. magritte is a favorite. "the woman" is my favorite here.
Lovely, Bill. Simply lovely, and so refreshingly you.
Fave.
Graceful and yet, despite everything, quite bracing.
More even than the tanned spire or appleyard hat did I like these assorted nougats and bumbers. All star.
This is a side of your poetry I've never seen, Bill. The imagery is amazingly lovely. This is one fine piece of writing.
love this, bill--
Beauty and excellence: stunning.
This is a wonderful piece, Bill!