by Ann Bogle
B'go, I am thinking of submitting VERY short stories, one to three (100-500 words) to a journal online called A Minor. As I write to you, I am listening to Mahler's quartet for piano and strings in A Minor, hoping to understand what A Minor "means" in literary terms. Could you translate that in Bb clarinet terms? If I were playing a Bb clarinet part in A Minor, what would be the flats and sharps? I feel helpless in understanding this without your guide. (Do you like Mahler? To play or hear? I recently heard Mahler at a St. Paul Chamber Orchestra concert but the name of the piece has left me ... Did Mahler write Kindertotenwaltz? No, it's Kindertotenlieder. I thought that Franz Wright had named a prose poetry collection Kindertotenwaltz but now cannot find it.)
Memories of my outings with you return. I have been back for a week and already, except for my "house," (my apartment), I see little to like about being here, though the area is so naturally beautiful, the lakes and trails. We are having very hot weather. Yesterday it was 98 degrees F when I checked and "felt like" 110.
I went on a Match dot com date with an interesting fellow who works as a ____ for a ____. His ____ escaped ____, later met his ____ in ____. They are ____ and ____, his ____ now passed and his ____ about to move. He has hobbies as a (long-time) ____, ____, and ____. Nice guy, never married, no kids, 50 something. Good correspondent by email, gentle presence. So why am I so romantically disinclined, not only toward him, but toward all men except in dreams? I never dream of sex with women. I once dreamed of refusing to kiss a woman. I remind myself sometimes that I evaded lesbianism. I still would evade it, and the gay women, as they call themselves now, if they are still political, would evade me for having chosen heterosexual privilege. I like to listen to average women talk about beauty and fashion. I think average women are fascinating and foreign. Average men seem imposing, despite my tact with them. Only exceptional men are of interest, and they are never far from being "spoken for."
I NEED TO WRITE A SERIES OF PUBLISHABLE STORIES ABOUT IT.
I really detest dating that leads to sex (sex = ownership) or to the expectation of it. The men are so quietly demanding and authoritarian and pushy. Who are these nice fuckers? Strays a'hounding. I want to tell them: I have friends, real friends with art agendas. When there is dating without sex—as would not happen if I were not so direct about it, my stating that I like celibacy (inspired in my journey by the celibate hooker from ____), and never without some sort of tiff over it, a tiff between acquaintances who met via the Internet—the men try to blame me for being on a dating website at all, as if dating is a euphemism for free sex with strangers. Sex with strangers is WHY hookers charge. I wonder if most women go along with it who date there. ____ said that psychotherapy is a legal form of prostitution. It is bringing back my early feminism to consider it. I detest what is usually meant by dating. Hardly anyone has the style or instinct or seasoning to think of any other pattern to pursue. Sex is a rote cow path that leads to STDs and calls up past violations—we all have them—without a sense of what else there could be, among mature adults. Friendship insults most men to hear it mentioned in this context. The average mature man feels jerked by a woman who says she wants to be friends. The men want exclusive physical access to a woman they do not marry or support. ____ has turned my head around totally on this subject, whether or not that was his intent. The divorced moms live in houses and have careers, many of them, because they were married at one time. They are "financially stable," if so.
I feel it is important for me to mix with people here, to try to know people socially, to expand my interests, perhaps to find better friends than the old friends turned out to be during the later part of the NY year. I am newly friends again with ____ and ____ —our migrations and life patterns have sorted out much we couldn't sort when we parted. My woman friend here, ____, daughter of ____, doctor living in ____, is divorcing. I haven't had the courage to ask her about it. I rarely see her, but we like each other. She is in her 60s but looks 50 something.
My ____ keeps fighting me. I want to put her on Ebay. The fighting must serve some purpose, because it is usually philosophical in an unschooled way, philosophical meaning tactical regarding life and how to live.
I get dejected thinking of possible scenarios. I cheer myself imagining others. I blame "the economy," in particular the "academic hiring economy" for makeshift existence, for the shock of dependence, a total shock when it started, that gradually sank in and furrowed me, that went against my whole grain at the beginning and even later, until now I would not fight it, now that it seems over. The present young generation has relatively little security compared to its elders. The economy is supposed to support us, as Wendell Berry says. You might already know his essays, his collection called What Are People For? I adore Wendell Berry for his soil conservation (by hand on his own farm in KY) and his ethos. He is so very traditional yet super hip at the same time.
How is the week going? Your writing about it is better than any question I might ask.
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I have written thousands of pages of typed letters, much of it email, much of it saved on floppies, hard drives, or printed double-sided and caught in binders. By comparison, I have written hundreds of pages of stories. I am inspired by Lucinda Kempe's use of her diaries, her sharing from them as writing. My letters are writing, an art form traditionally reserved for the dead. As I edited (cut) this unmailed letter to post here, I noticed that I began to think of it as fiction.
Excerpted in Camroc Press Review, 4/22/15:
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I love the epistolary form (the Russian and portugaise in me) and hope to see more of your letters. * fave
write me a letter, willya
ha
*
Wonderful, and even more so since this is a real letter. It absolutely reads like fiction and I'd love to read more!*
Indeed the celibate hooker reads like a fictional dream. Share more, share more.
HM
Very real & works as fiction. Demands that I come back to it.
"Could you translate that in Bb clarinet terms? If I were playing a Bb clarinet part in A Minor, what would be the flats and sharps? I feel helpless in understanding this without your guide."
&
"I adore Wendell Berry for his soil conservation (by hand on his own farm in KY) and his ethos. He is so very traditional yet super hip at the same time.
How is the week going?"
Yes. This is a good read, Ann. *
I like this very much, the free unstudied movement from one topic to the next as one only can achieve with a reader one knows well, picking up strands of continuing conversations. Novelists first wrote( Richardson e.g.) in epistolary form and you wonder if there isn't a reason in it past not knowing how a novel might be written, that there is something in letters to familiars that can't be got to in any other form. Anyway, this was lovely.
Ditto to David. I would suggest that a fiction of letters like this would be eminently successful, perhaps even a prolonged correspondence over time between friends.
Love this, Ann. Yes, letters are stories in themselves. I wrote letters to people all the time when I was little. What I really like here is the confessional overload, which is perfect.
It does read like fiction and got me wondering what "She" really thought about their outing.
*
<3 (heart)
I feel like the bitch with the clackety clack today. I wrote a rather long email to N'd about the demands of art and privacy in close relationships with writers. I said "wives" are against us. N'd majored in English so he can tick off names in the canon.
I sent B'go the first paragraph of this otherwise unmailed letter, the paragraph about A Minor, with the subject heading: "How are things?" Why did I reserve the letter as a letter but post it on the Internet instead? I wanted to spare B'go my caterwauling about sex, as his ____ may be dying of ____. He replied in a really gorgeous style to last week's letter about audience and with this:
"I didn't know that Mahler wrote a piano quartet. I listened to a few bars; it sounds like he wrote it at age 16 (indeed he did). Not bad for a 16-year-old. He is famous for his symphonies and the Kindertotenlieder and Das Lied von der Erde. As dead baby songs go, it is pretty good, but the best is Alban Berg's violin concerto, which was dedicated to "The memory of an angel." The angel was Manon Gropius, the daughter of Walter Gropius and Alma Mahler, who died at the age of 18 from polio. Alma Mahler slew famous men. Wikipedia gives her name as Alma Mahler Gropius Werfel; apparently she added only the names of the men she married to her name. The others were left weeping in their soup, staring at their two-headed fish.
"Concert A minor would have to be written as B minor for the clarinet, so would have two sharps, the same as D major. The concert tone is a whole note below the written tone."
Thanks, Cherise and JLD. The others I noted on your walls.
Ann-- This is pretty wonderful. So many great moments. *
I just read "Notes From Underground" again and this put me in the mind of it. I love her/your intelligence and the tinge of fear she/you of coming apart. Wonderful raw stuff. Do write more but remember they're letters. If you think of them as stories you might screw them up. (I bet you don't need my advice.)*
Like John's comment: "Wonderful raw stuff."
Agree.
This letter is interesting because you are interesting, Ann.
*
yes, amazing. much to consider. *
The letter to B'go last week acknowledged my pretense that hardly anyone sees what I write, though it is accessible on the Internet. It detailed my slight surprise when writers who turned up in NY told me they had read something of mine.
This morning, correspondent D'l, a ____ and ____ at ____, who left ____ for ____ last year, who had happened to read UML to B'go here, wrote:
"I see that ____ answered your question about what key a B-flat clarinet would have to play to sound concert A-minor. It would be B-minor written, two sharps. However, if it were clarinet with strings, Mahler and most nineteenth century composers would call for the clarinet in A. Then it would be notated in C-minor, with a key signature of three flats. The A clarinet sounds a minor third lower than notated, but has the same notated range as a B-flat clarinet."
In answer to my other question, what A-minor means in literary terms, I shall remember how it felt to sit in on orchestra, called away from concert band, to play the A clarinet, then mentally observe three flats.
Thanks, Joani! The others I noted on your walls.
"as if dating is a euphemism for free sex with strangers" *
Another great read, Ann!
Thanks, Beate and Michael.
hardly anybody sees what i write
IT IS THIS THAT MAKES ME BUY THE OLD HAT AND GET A WALKER AND SHUFFLE IN THE PARK DROOLING GOING HERE FISH, GET YR FOOD FISH
fave
Fave. Wow! Read this several times. Such an intelligently written piece. Thanks for letting me read it.
Thanks, Jim and David, further comments on walls.
Brilliant. The tone--one could even say it is a letter in A-minor--drew me in quietly and kept me there. FAVE
Ja, danke sehr, Christopher!
Like John, this summons Dostoyevsky, the rambling, rioting writing that's spoken more than penned. I have recently fully turned to dictating everything I write, perhaps this is why I'm thinking of it. It makes for such a clear voice! I also like how the story sprawls and spills into the comment section. Marvelous. I can see you put together a cool volume of these.
… For some reason also made me think of Fay Weldon, arch feminist out of fashion: http://bit.ly/NNxyd0
I don't know who's on the receiving end of this letter but I hope they don't move without a forwarding address. There's a lot to say grace over here. Do you ever have a dumb thought? All my money's on never.
This is great! I love the wonderful, wobbling line between letter writing and "fiction." In letters, at least the kind that I used to write, I was always recreating myself and my own story.
Marcus, I read about Fay Weldon at the link you provided. It is a a trip back in time, not radical, more like an advice column for women: thrift in domesticity based on sexual profit sharing.
The writer's voice spoken is a great guide. I have spoken aloud a lot instead of writing to see where the pulse is, and it has led to fluency, memory, and a level of concentration that is phenomenal. I decided not to tape myself in monologue. If I started again and taped it, even a day transcribed could be a book.
Voice-to-the-air and Voice-to-the-page. My free-form speaking and your dictated writing.
Thanks, Pia and Martha, comments on your walls.
Epistolary excellence.
I'm preoccupied lately with who is on the receiving end of a writer's writing. Just finished Richard Ford's fine new first person novel, and I wondered if it wasn't also a confession, an emptying. In your piece, a listener, a target, was implied. It felt like you were being encouraged to say more, to take chances, by the quality of the listening. This may all be in my head. Or my wishful thinking.
Dan, thanks for your comment!
Pia, your comment is of interest. I think about audience, too, and approach it directly in letter writing to a group ("open letter") or to "a one," and I could say more about that.
Occasionally, I write as grist for literature ("rough drafts" or versions of events) in letters to people not interested in literature in the way I mean or even in letters. Then there is a one-way street, and I go at them (as my model audience) when they might rather watch baseball or take a run. In those cases, I may write to them, anyway, whether or not their replies further my writing, because I am trying or experimenting in direct address to find a more general reader.
As letter-writing goes, it may seem rude to borrow someone for this purpose and not to ask mostly about their day. As method in writing, it has furthered my work.
The audience for flash fiction or prose poem or short story may seem less specific to a one or a listener. For me, the audience in those other forms, is at a glance, and they are a group not an individual, or an aesthetic quite possibly appreciated by a group, most only in my case, of other writers.
"Unmailed Letter to B'go" was intended, before I turned it into an "epistolary short story," for someone who has known me as a writer since I was 19. It is hard to beat that for audience or listening, and yet he is not a fiction-trained writer himself. He reads literature. It has long seemed how fortunate I was and have been to know, to be mentored in life by, someone with his bearing in music and reading. There is one thing more. He believes in the possibility of art and literature that is not academic or created only by a designated elite, and that has been a foundation.
You deliver a pitch perfect manic flight of ideas by a character trying so hard to stay grounded she can hardly keep up with herself. The impression is that her speech and/or her writing is very fast and pressured. This is a brilliant portrayal.
Thanks, Gloria. Your praise is a little clinical, but I guess that's your day job. Your description of this writing reminds me of Nikolai Gogol, and yet, I am not sure I feel Gogol in it. Perhaps there is someone else rapid to compare it to. There is another speed I go by as well, so slow that it stutters. My story "Meryl Streep Laughed at That" is 150 words long and took sixteen hours to write.
Too clinical. Sorry. Stories aren't patients. I recently quit my job to write and the poison pen of the clinician is still with me. Feel free to reign it in. Suffice to say I really liked this though I had trouble keeping up. I'm moving on to Meryl... :)
Gloria, the feedback is helpful.
I love the eruption of thought in your piece, Ann. It is downright agitato. Not to mention that you sucked me in with the epistolary approach, which is one of my favorites.
*
Thanks, Fred and J.A.
Tonight listened to Alban Berg's Violin Concerto, too beautiful for any words.
Part of this story will appear in Camroc Press Review thanks to Barry Basden, who discovered it. Thanks, Barry.