Requiem for a Glass Heart
by Roxane Gay
The stone thrower lives in a glass house with his glass family. His neighbors often stop in front of his home and stare at the flesh and blood man as he goes about the business of living with his glass wife and glass child, their glass furniture and glass lives.
Every morning, the stone thrower sits across from his glass wife at their glass table, and he watches as orange juice sluices down her glass throat into her glass stomach. It is a remarkable thing, he often thinks, being able to see such intimate moments. As they discuss the coming day, his wife will reach across the table and take the stone thrower's hand in hers. She'll trace the calluses, the fingers that are bent but not broken. He'll squeeze back, gently, careful not to break her.
When the stone thrower and his glass wife make love, she is always on top, her cool glass hands pressed against his chest. She warms to his touch, just slightly, and though he can't see it, he can feel how her body responds, how her obdurate glass nipples grow even harder to his touch, how inside she is slick and tight. He enjoys the pressure of her glass thighs trembling against his and the way she breathes into his mouth, shallow and fast.
When the stone thrower's wife comes, her body fogs in a random pattern outward from her heart. As she catches her breath, she can often hear her heart threatening to shatter with the high pitched keening of glass succumbing to obstinate pressure. When she's certain her heart won't break, she rolls onto her side, and the stone thrower lovingly traces lines in the condensation he has left behind. Sometimes, after they make love, the stone thrower will turn on a light, sit against the headboard, holding his wife in his arms, her glass spine arched against his thick chest. He'll look down at his seed slowly sliding out of her. He will smile.
At the end of each workday, the stone thrower pays a visit to his mistress, a woman who is not made of glass. She is all flesh and bone, with a generous, meaty body like his. The stone thrower's wife knows about the mistress. She watches them sometimes, sneaking into the mistress's apartment, padding softly across the thick carpet of the living room. She'll stand in the doorway and watch as her husband holds the other woman in his large, callused hands, how he will be reckless and rough. Then she will walk home, leaving a trail of glass tears for the stone thrower to follow. The stone thrower doesn't love his mistress but he needs the moments they share, those moments when he does not have to see too much or love too carefully.
"Then she will walk home, leaving a trail of glass tears for the stone thrower to follow."
beautiful ending. great stuff.
Oh wow! I love this fabulist tale. The whole thing is so imaginative. Nice work!
xo, H
Thank you, Heather, Barry for you so very very kind words.
Excellent! Glass tears... nice.
roxane -- this is a lovely story. i like this:
"[w]hen she's certain her heart won't break, she rolls onto her side, and the stone thrower lovingly traces lines in the condensation he has left behind."
i'm sure you've already thought of this, but there are a couple of journals with a fairy tale theme and it seems like this would fit well someplace like that .... (?)
Hi Roxane, I love it. I second Lauren's comments about the journals with fairy tale themes.
Hi Roxane,
I just love this sentence, especially the last clause: He doesn't love her but he needs the moments they share, those moments when he does not have to see too much or love too carefully.
Thanks so much.
Lauren, David, thanks for that advice. This week I'm going to motivate toward finding markets that might like this piece.
Richard, thanks both for the invite and the kind words.
Christina, thanks so much! I don't know if its a faux pas to say so but I really like that line too.
Roxane, I could only LOVE that "carefully" line more if I'd written it.
David, thank you *so* much. It means a great deal to here something like that from a writer I admire/respect.
yeah, I agree with everyone else; anyone who tells you the ending doesn't work is probably nutso.
I'm a big fan of repetition when it is used well, and it is used very well here: "Every morning, the stone thrower sits across from his glass wife at their glass table, and he watches as orange juice sluices down her glass throat into her glass stomach."
beautiful.
Samuel, thanks! I love repetition and I use it a lot in my writing. Glad to meet another fan of repetition.
hi roxane, I'm late to this, missed the first version, but I really like this and the ending. not sure what you had before. aside from 'meanings' I'm just crazy about the image on its own. almost wish 'glass house' and 'stone thrower' had no other lives as phrases.
Hi Laura,
This is actually the original version. I took the second version down because someone picked it up. I'd be happy to e-mail it to you if you'd like. Thanks for your kind words!
oh congrats! I'll wait till the story comes "out"
you had me from the very first sentence. you even managed to overcome the billy joel album cover that has been burned into my head since i was twelve.
I didn't get the chance to read the earlier versions, Roxane, but I really, really enjoyed this one.
Especially this:
"When the stone thrower's wife comes, her body fogs in a random pattern outward from her heart."
Amazing. Just amazing, that's all.
Is this story still making the rounds?
Hi Sheldon, thanks so much. This story did find a home in a different form. The editor liked this version but felt it was to short, not fleshed out enough. You can find it here: http://www.acappellazoo.com/fall094
Glad you like the story. It is one of my favorites.
Hi Sheldon, thanks so much. This story did find a home in a different form. The editor liked this version but felt it was to short, not fleshed out enough. You can find it here: http://www.acappellazoo.com/fall094
Glad you like the story. It is one of my favorites.
I love love love the description of the orgasm like randoms fog patterns.
The words 'obdurate' and 'obstinate' are perhaps a little too close together. Also it's overstating to say that the mistress isn't glass; perhaps "his mistress, a woman all flesh and bone" would be better.
I think maybe the unsatisfying thing about the ending is that the glass child is mentioned at the start, and then never reappears in the story. Does he really need to be mentioned?
Of course, I don't even know why I'm picking this story apart because it really is wonderful and it's already been published anyway. I guess I just like to edit with my morning coffee.
Hi Roxane,
I think this is an intriguing and original piece. The image of the glass woman was particularly striking; I could see her fogging up with emotion, could imagine her hands getting warm when she touched her flesh-and-blood husband's body. What I wasn't so sure about was why her tears would be made of glass. If she normally fogs with condensation, I'd think she could also shed watery tears, though this is just an assumption I'm making (I plead ignorance when it comes to people who are literally made of glass!). It seems to me that the mistress was metaphorically the stone thrower's "stone," as it, rather than a physical rock, is what ultimately "shattered" the wife. In any case, nice job. I'm glad I had a chance to read this.
Hi Marc, thanks so much for your comments. I hadn't thought through the logistics of glass tears and the like but it felt like it sounded pretty!
I just found this. Magnificent writing.
This is beautiful. Delicate as glass.
i'm glad a version found a home. i think it's fantastically beautiful. very realistic, in a symbolic way. emotionally moving. reminds me a little of In Watermelon Sugar somehow.