I have had men before tell me how much they love me— in spoonfuls, cupfuls, truckloads, and heaps. But how much don't matter much to me ‘cause how much ain't for keeps. How much can always be outdone— say he lovin' me spoonfuls then come ‘cross another woman that he loves cupfuls. Naw, I don't care too much for how much. What I care about is the why. I got me a man now who is always telling me why he loves me and I don't have to ask him, “Baby, why do you love me?” He just starts telling me on his own like he can't help but to tell me. He gets up in the morning telling me why, he sit at the dinner table — mouth full — telling me why, he go to bed — pulling the covers over his head — and still steady telling me why. Just this morning my man came downstairs in the work-clothes I pressed for him the night before talking about why he love me, why he can't get enough of me. This morning, when I was still yawning and putting two slices of bacon in the skillet for him for his breakfast, he said, “You know why I love you?” I shrugged and he kissed me on the back of my neck. He said, “And it ain't ‘cause you press my clothes either— any woman can manage to get wrinkles out some clothes.” And I said “I know baby, now sit down and get ready for breakfast before you end up late for work.” And he gave me his I-ain't-thinkin-bout-work look then said:
“You the only black Clara I know, that's why I love you.”
“It was my mama who named me,” I said—pouring him some juice. “I ain't name myself.”
“And I love that you come from a black woman who thought to name her black child Clara.”
“I know lots of black folks named Clara,” I said—even though I only know one other black Clara and that's the woman who taught me math.
“Well, you the only Black Clara I know and plan on knowin,” he said and went on talking about how the only Claras he knew were the white ones his sisters worked cleaning houses for. He went on talking about how if he ever meet another Black Clara he gon' tell her she must be lying about her name. And I listened, too, sitting at the table with him with my palms on my chin and my fingers on my face ‘cause I love listening to my man talking about why he loves me.
When we first met, it was at a flower shop on Hazel Street. I was there picking up flowers for a great-aunt's funeral and he was there picking up some flowers for some girl he was on his way to meet. When I had my sad-flowers in my hand and he had his love-flowers in his hand and we were both heading for the door, he turned to me and said to me, “I gotta know what kind of name belongs to a woman with a face pretty as yours.” When I told him my name, he gave me this funny look like he smelled something bad. He said, “You too pretty to be named Clara.” Then he told me how he ain't never met a Black Clara and he walked with me to my car where he told me he ain't never met a woman who drove a car as long and as yellow as mine. This made me smile and hand him my number on the back of a receipt even though I knew he was on his way to meet this woman he had flowers for. But she couldn't have been much because my name and my car almost made him forget about her. He called me later that day, and on my kitchen phone, I talked to him for hours. We've been lovin' ever since— going on six years now.
Most women worry about the how much too much— thinking it mean something. I'm sure the woman my man was on his way to meet that day thought he loved her “heaps” because he showed up with flowers. And that probably was enough for her. But heaps ain't enough for me. I need to know why and how come— never mind how much. Once, in the liquor store, while waiting in line to play my numbers, I heard this woman (who smelled like liquor) behind me, talking to another woman, saying how her man had told her that his love for her was bigger than a mountain. I turned to her and asked her which mountain. She didn't like that when I asked her that. She just looked at her woman-friend and told me to mind my business. I shook my head and left the store with my tickets. I couldn't tell her that the size of his love didn't matter because if he loved her so much why was she in the liquor store so early in the day smelling like liquor and buying more? Someone with a man lovin' them hard don't need no drink. That's how I see it. When you got you a man telling you every day why he loves you, like I do, there's no need to drink. Your man is your drink. And my man is my drink. This morning, my drink said to me, before he left out the door for work, “You know why I love you?” And I shrugged like I always do when he gets to explaining his love for me. He said, “I love you ‘cause you the only woman I know who smell like flowers before she even take a shower.” I shoved him out the door and away from me and told him to get on to work. I said, “Flowers don't smell like this.” And he said, leaning out the car window, “Black Clara flowers do.” He was so loud when he said it; I saw old Miss James, who measures loves in heaps, across the street look out her window and shake her head.
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Not going to tell you how much I love this story. Not going to tell you why, neither, 'cause it's just so plain-as-fact obvious. The voice in this, the telling points, are spot on. I believe these people exist and could listen to their story for days.
fave
Thanks for reading! I appreciate your comments, I do! :-)
Yep, very nice Michelle.
Thanks for reading, Matt.
"I turned to her and asked her which mountain"
This story filled me up a heap. Feel like I lucked out checking in and finding this today. Thanks!
Thanks for reading, Carol! Your comment made me smile. :-)
"I need to know why and how come— " - love this! Great story, Michelle.
Nice work.
Thanks for reading, Sam and Julie! I appreciate it! <3
So nicely done. I really enjoyed reading this. It made me smile. Yep, the why sure does matter.
I, too, loved the line about which mountain.
Thanks, Cherise, for reading. :-)
This voiced perfectly something I wasn't even aware needed to be said.
Thank you :)
I love your comment, Chastity! Thanks!
This is a joy report. I love it because of how it goes.
*
Thanks for reading, Ann!
Yes, wonderful in every way.
Terrific story, beautifully written, Michelle. I loved this: "When I had my sad-flowers in my hand and he had his love-flowers in his hand.."
Thanks for reading, Susan and Lou! <3
Great voice, insightful observations, compelling characters: it's a pleasure to read your story.
Thanks for reading, J. Mykell!
"Your man is your drink. And my man is my drink. This morning, my drink said to me, before he left out the door for work, “You know why I love you?”
Your work is goooooooooood! Loved it. Fave.
Aw! Thanks for reading, Roberto! I appreciate it so much!
Love the voice. Love the music in the lines. Just love it a heap!
Thanks for reading, Tina! <3
"...I heard this woman (who smelled like liquor) behind me, talking to another woman, saying how her man had told her that his love for her was bigger than a mountain. I turned to her and asked her which mountain."
This line made me giggle. And the whole piece is well-done. I'm faving it, mostly because it's intriguing how the woman talks about her man vs how she talks to him.
But I have two comments. One is that you hit the dialect hardest at the beginning. I lliked how you handled it later more than how you did in the first grafs.
The other is that the yummiest detail in here is that simple but very cool thought: when it comes to love, why is a better question than how much. I sort of wish you'd saved the bald statement of that thought for the very end. Or for the mountain interchange. But by then we've heard it a few times.
I loved your "Plum-Woman" and I love this too. Big favorite.
I really love this Michelle - such a great, strong narrator - the voice is just wonderful.
"I had my sad-flowers in my hand and he had his love-flowers in his hand and we were both heading for the door"
Amazing voice and powerful images. And I love the idea of heaps versus why! Great story! *
Thanks for your yummy and in depth comment Jo! I appreciate it! Interesting what you said about how she talks about him vs how she talks TO him! I love that!
Also, thanks Marcelle and Kim and Kari for your comments as well! I am glad you liked the story and I appreciate you reading it! :-)
That first sentence is spectacular. Sets the stage for the rest of a great read. Liked this heaps. Peace *
Thanks, Linda, for reading!
Top notch as always, no way these people are not real when I read it. You are taking your great talent to new levels here, Michelle.
Thanks, Walt! I appreciate your comments always!
This is a wonderful rhapsody of enthusiasm.
Aw! Thanks for reading, Beate!
" I have had men before tell me how much they love me— in spoonfuls, cupfuls, truckloads, and heaps. But how much don't matter much to me ‘cause how much ain't for keeps. How much can always be outdone—"
what a great beginning--
"Most women worry about the how much too much— thinking it mean something. I'm sure the woman my man was on his way to meet that day thought he loved her “heaps” because he showed up with flowers. And that probably was enough for her. But heaps ain't enough for me. I need to know why and how come— never mind how much. "
and then the way you keep the thread...
the voice is strong and the language itself lets us into the story--the philosophy is there and tells so much about the speaker--i liked what you wrote about back story in your introduction—you are magnificently skilled at front story—through voice---brava--*
"Front Story"-- I love that! Thanks for reading Bobbi!