by Matt Potter
My mother was never the happiest of people.
She turned to me one day, rubbish and other detritus piled high around her in the garage and said, “I want to give you this.” It was a numberplate from a car. Just one.
I did not recognise the numbers, but took it gracefully and wondered aloud why she wanted me to have it.
“It has great sentimental value to me,” she said, eyes misting. It was clearly painful for her to talk about, so I let it slide.
After she died, clearing out her safe deposit box at the local bank, I found more numberplates. There were ten, all polished and shining, just one each, not both to complete a set, and of different vintages. I had no idea she had ever collected them.
And with them was a brief letter, on which was written, To be opened in the event of my death, Marion Slipkowiecz, in her familiar scrawl.
My life has not been the best, often miserable, she had written on the paper. But whenever I had a nice time, I would take the numberplate off a nearby car, as a memento. Perhaps you could track down the owners and give them back. They are the milestones of my life.
Of course I kept them. They hang above my desk, alphabetised and descending. I have no idea which happy moments they marked in my mother's life, but despite their minimum cheer, they oddly connect us.
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Written for Week #18 (theme: Lucky Number) for '52 / 250 - A Year of Flash', I have no idea where this idea came from, though I did picture the initial scene in my mother's garage ... she is certainly still alive, however, and this story is not about her.
How bizarre! What a wyrd and compelling concept. I love the image generated in last paragraph.
Great take on the theme, Matt!
I really liked this piece when I read it at 52|250, and now I like it here, too. And I wonder here what I wondered then: if there is a way to make it clear that they connect mother and son without saying in that last phrase. For me, if he hangs them over his desk, it is a tribute to her, and a way of reminding him of those moments, whatever they were. The act of placing them in full view is an act of connection, right? It's one of those cases where eliminating the statement "they oddly connect us" might be better -- because, for me, it is an overstatement.
Just an idea. Like this one a lot, Matt!
(oh, and I have thought ever since I first read it that this could perhaps be a longer piece... there is more here, for sure)
Yes, I see what you mean Michelle, and agree. Rhythmically, I need something at the very end, but what ... ?
'They speak to me beyond the grave' ?!! ha ha