Tents staked in desert land, a muted building
of parched earth, in a thirty year old city with a napalm
birth, they wait among gravestones in the sand.
Gypsies don't roam, children play in dust, illusions
of home. A woman teaches without books, invisible
unless sand floors turn black, turn into liquid money.
The thousand-mile wall holds. We want to go home,
not until they own oil or terrorists. Nations clamor
for phosphate and fish, families live a barren existence.
In a London room an electric guitar screams Saharan
poetry across the street from a market waiting for sardines,
gathered from stolen sea. Seven hundred miles from a Saharawi
woman who rations water for children too large for her breasts.
Eighty miles away the sun has moved, a tourist turns her back
for a more exquisite angle, as ocean laps a canary island.
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Originally published in the Red Wheelbarrow Literary Magazine.
I wrote this poem after seeing the plight of the Saharawi refugee camps on television one night. I was struck by the way they had formed a matriarchal society. I still think of them so often.
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This covers a lot of political and geographical territory vividly and--without a heavy hand--intelligently.
"a thirty year old city with a napalm birth" and "In a London room an electric guitar scream Saharan poetry across from the street from a market waiting for sardines gathered from stolen sea" are wonderful.
And welcome to Fictionaut!
"...as ocean laps a canary island."
This last image just murdered me. I just stopped and read it again. I'll read it again before I move on from this page. I'm sure of it.
This entire poem was so well constructed and beautiful and placed me firmly within the fictive world you have created. I love when that happens. I didn't want to wake up.
Thank you so much, for the welcome and for the comments, Jane and Sheldon.
The proximity of the Canaries to this refugee camp, forgotten by the world, just hit me so hard. This was one of those situations where you see something that makes you ache, and makes you feel so powerless.
Wow. You covered so much without sounding preachy or pedantic. This moved me as much as a harrowing photograph, perhaps more. Great form, wonderful lyricism, especially thos last two stanzas. Gorgeous.
Gathered from stolen sea. Excellent work.
Beautiful and haunting. Love the images placed right next to each other, like "Children play in dust, illusions of home" and something so concrete as "phosphate and fish" next to "families live a barren existence." And of course those last (lasting) images: a woman rationing water with children too large for her breasts right before another very different woman turning for "a more exquisite angle" -- chilling. I agree with Sheldon about the final image, esp given those two preceding ones. This will stay with me.
The form if effective, Lou. And the imagery devastating. Strong work.
Great poem. You describe the plight of the refugees in moving detail. Strong images throughout.
Thank you for sharing.
That last passage, and its juxtaposition of the "woman who rations water for children too large for her breasts" with the tourist who "turns her back for a more exquisite angle, as ocean laps a canary island," will haunt me. I'll read this one again and again.
Thank you everyone, I appreciate the support.
This moved me a lot, and over the years I have developed callouses on my feelings. Recently was checking out climates around the world for my fantasy old age, and behind the seeming beauty of the Canary Islands, there is trouble beneath that paradise too with the native people. The Saharawi images are beyond words, yet you achieve it with your words. Makes a reader angry, tearful. Just achingly great.
I love this. It's haunting. "waiting for sardines, / gathered from stolen sea" is beautiful. Some of the images here burn in the mind.
Thank you, Walter and Nicholas.
Such interesting language choices here. Nice work!
"Nations clamor / for phosphate and fish"
Neat.
Heart-rending and powerful.
Enjoy the complex issues and the very specific yet light rhythm in this piece.
Very nice to see global issues expressed with such eloquence. Fave.
"Nations clamor
for phosphate and fish, families live a barren existence. "
So true, so true.