" Not a day goes by/ that isn't stabbed with common sorrow"--Maurice Manning
Crazy's alright by me if it's a harmless plea for some little sanity, or unavoidable by birth but it just won't do
for tricks. Like say I go over there right now
and poke that sleeping sparkling, smouldering dragon faced thing
right in the eye socket and then chase
him back into a thimble of a pocket
clock case for you and snap it all shut tight again before
he can even begin to singe the
flags on the ropes hanging above our sweaty little heads--
with just a wave of my four magic
fingers and a remarkably curvaceous assistant thumb or two.That'd be worth
a little applause maybe? They secretly think I
can read their minds. Are they out
of THEIR minds? What I want is
to get close to you. Going to the top of the
moon someday? Just a hunch. Me? Hoping to catch
the corner of your eye. That's about it. Honestly. That's about it.
All colors on a kite to me. Different stripes of
flowers in one hand or another will still disappear sooner than later. Have
to keep it fresh you know. But that's a momentary madness. I swear they
could all brick themselves in like a living pyramid in
front of you and I'd still notice
your presence as being the most interesting thing in the room like a
fresh green morning smell you just can't pretend not to notice. You instead wait
to laugh with the rest of them. Wow. No exclamation mark needed.
Even if you raised say your sweetest, quietest and softest
hand silently over your simplest mouth yet you can make and calmly looked far enough
away, I suppose I could take that. I wish
I could give you such outbursts of utter joy. Believe
me. I'd balance on one wheel on
top of a big rubber ball sitting
on a cat's eye marble all day long
if I thought it would delight you
into forgetting your own earthly sentence for
one single minute and let it all be
okay. Not cause you to blow ice
blue crystals out your nose like a
human slushy machine but actually move you
to smile at me and think of
happiness as a worthy act. That would be
what it is to try to be brave I think. Worth the other, better try. Well, enough so as to keep on 'til morning brings us its cold wet newspaper warnings.
022310
Spring Rain (The View from the Marcel)
Under the sky we are as it
were a hooded lot of ambiguous bent
forward trolls protecting our bellies and knuckles
as if they were made of gold,
bent by clouds as easily as a
knife bends butter to its scraping will.
Even the few birds who wish to
swim in such an electric current are
reduced to nothing more than brittle pieces of
feather sticking to the bottom of a
giant pair of soggy shoes.Everything is
splashed or splashing splashes all around us. There's no
point to the hat that's drowning in the ring. The rain puts
its thin little fingers right up under
all sides in trying to pull it
full off over our heads. There's no
point to the shoes the pants
or the coat.These have all been
painted the same color as the all
consuming paste of rain. You either embrace
your right to be this wet or
get out of the game as soon
as possible. What makes all this tolerable
is the fuzzy cool frosting like image of
your cone shaped slicker twirling out in front of me like a lost
cherry blossom around and around your white
and wading skinny knees. It's like a wonderful
toy that can't be seen except in
times like these and can't be played with outside
unless you are the one willing to go
where it first appears--and no one knows
exactly where's that location until they see
it true for themselves. And so I
do not pull the collar up around
my neck. I do not step lightly
through the deluge. I say drown me
in your loveliness. Melt me in your
brave little stance. I'll run into the
sewer when you're gone like a suicide.
Darryl Price 030110
Bonus poems:
White Powder
These trees today are
like kites tied sideways
to the ground.I
live in a window you see, the one
where you left me.
I feel a breeze
but I feel nothing else
but this space I
fill up with my arms
and legs. So many
people find each other.
They hold onto the
fact as they bow
to the wind and
smile and don't ever
get cold. I am
aware of the paint
that was once young
and smooth,now shredding
little by little into
a fine white powder.
Darryl P.
If It's Not Love Maybe
it's your iPod. If it's
not love it's your TV.
If it's not love what have
we got? If it's not love
it's the philosophical
elephant in the
automated sea. If
it's not love what was the
question? If it's not love
what was your laughter for?
If it's not love it's the
last lemon. If it's not
love it's all strangers in
the grass. If it's not love
it's living alone in
the city. If it's not
love it's your not destiny.
If not love that's not
the real you. If it's not
love can the universe
be trusted with caring
for us? I've no answer.
If it's not love I quit.
Darryl P.
A Novel
A single slice of leftover yellow
birthday cake has taken quietly to
the air like the most natural
creature alive but only because a
small white saucer pushes it along its way.
This still moist clump of last
night's bittersweet memory with its thick
chocolate tan line is sunning itself
right where there should be a
warmly overlapping coffee shore run.
Instead it slowly continues its climb
away from the red and pink
checkered kitchen table cloth as easily
as a child jumping up a
flight of stairs, wobbles, maybe once,
maybe twice, before literally sailing around
the room like some Saturday morning
cartoon spaceship. Three sets of eyes,
none of them belonging to either
the boy or the dog, saw
and recorded everything in minute detail.Then
the phone rings. The dog spoke.
The cake on its plate crashed
loudly into the linoleum like an
unwanted newspaper, spilling the irrefutable facts
but unable to hide or contain
the sudden truth. And the mess was
a truth that had to be cleared up
but with an unmistakable headline still
visible through the tangled wreckage.The
dog looked up at the boy
with absolutely no emotion in its voice and said,
"Don't answer that. Try again. I
really think you almost had it
that time. Dad would be so proud of you."
Darryl P.
Apis Indica
I really don't
have the heart to
try and write the
love you deserve
anymore. It's
taken everything,
every breath, every
circle around
the sun just to
hold the pen against
the paper.
I know you want
it all and I'm
much less than whole.
I'm like a moon
stuck in one year,
illumined but
stopped and chipping.
You've still got plenty
of stars to
be swimming through.
All I can bring
you now is a
slight dusting of
the same light you've
already seen
blowing across
these waves. Go now.
Swim that damned channel
before we're sunk
too deep to rise
again in Spring.
D.P. 12/09/08
"....and think of happiness as a fact". Yes, this poem is wonderful.
Wonderfully expansive & lovely, Darryl.
Lovely, indeed.
lots of fresh images here, a delight!
Nice, D.P.
Sara,Marcelle,Ajay,Julie and John--you rock!
I like the syntax and form here, DP. Works well. Great notion: "your own earthly sentence". Enjoyed reading the piece.
These are good and provide a kind of circus of word/image thrills and pleasures,with cool leaps, although of course the powder poem tends towards the stark as opposed to the sideshow stuff in Amazing. I wonder if you've ever thought about a work which doesn't address a you/entity--a treasured one. Just a thought.
I appreciate the bleak simplicity of White Powder and enjoyed its breathless quality.
I had a thought about Something Amazing--I wonder whether it would work to separate the "they" lines from the "I and You" lines, so that they form two distinct halves of the poem.
I agree about "forgetting your own earthly sentence", lovely idea.
James Robison speaks for me as well. If only I could my response to your poems into words! I also agree with Sam -- I love the phrase, "your own earthly sentence". Also, "but actually move you to smile at me and think of happiness as a fact." Your desire to please the person you're addressing is probably the quality of your work that makes it so moving.
I have indeed Jim. I'm just exploring this current mode of thought. Mainly because I feel like I haven't quite said it yet--whatever it is that I'm trying to say, and I keep wanting to get it right before I move on again.I appreciate your read and your thoughts and they shall be taken to heart I promise.
Carol--this is something I wrestle with. Mainly because I have two ideas about it:1.life is messy. It's wires do not separate but mesh and twine like crazy.2.being a creator one does have the opportunity to put things in order, to show them as they are, to not complicate the message. I'm striving for the one which is most human. I don't mean to be lofty, but these are real concerns for me. Thank you so much for bringing it to my attention. I give you a hug.
Paula--thank you for these kind words. We all have our own earthly sentence to serve don't we? What I was saying is that even though that's inevitable when you love someone you'll do anything to give them a moment away from that cold hard fact, and whatever the sacrifice called for it's worth it, if you succeed,to see them for just one shining moment embrace pure being.Thank you.
really nice and great title on the first one...sometimes I sense your humor, Darryl, lurking in your images, I'm thinking of the human slushy machine and the mind that comes up with things like that...wasn't sure about "simple mouth" not sure what that is supposed to mean...what I always like about your poems is the depth of emotion there
huh. dig one wheel on a rubber ball and the dragon. are these meant to be read as companion pieces?
Hey Joshua! No, they're just 2 poems on the same page. Or the same plate. Just adding more to the meal..because I made more.And thank you,Kath, so many people miss the intended humor! Simple mouth is supposed to be the opposite of sweet hand..that things can be mundane and elegant at the same time..and on the same person. It's a mysterious universe.And people often are the most surprising part in it. Thank you both for taking the time. Much appreciated.
"I/ live in a window/ where you left me." Beautiful line.
B.-- I think you hit the nail on the head with your remark about feelings and being unafraid to say things. If a poet is lucky he or she gets put into the position of being able to choose words that might cause embarrassment or even confusion until they are allowed to go deeper into the reader's consciousness where, again if we are lucky, they turn out to be a kind of spiritual nourishment. Those kinds of nourishments might include truth or beauty or even goodwill. You could not disappoint me with your response.Trust me. And also, lest I forget, the person I am speaking to so tenderly at the end of the poem is you, the reader.I will share this with others who might have the same questions.Thanks. DP
"I swear they
could all build a living pyramid in
front of you and I'd still notice
your presence in a room like a
fresh green morning smell."
Love this little sensory moment that says so much, and the rest of the poem. Also agree that "happiness is a fact" is another fave. Really nice.
so much here to love that i do not know where to begin. so much kindness and longing.
Sam,Kim,Meg: you are why I keep on. Sometimes like every other writer I feel like a complete failure. I don't even understand why I keep trying, but your words give me a chance to hold on.Thank you.
these are both beautiful in different ways. i like the directness of the first poem-i love how you address me as the reader. this first poem has a great arc to it, too: wonderful building of tension and relaxation at the end. the bonus poem is very white and powdery indeed. enjoyed the hell out of both of these. so good, darryl ,so good.
Darryl, man. You kill me. Pulling up this story was like a surprise gift. We have (1) a central piece, which is fine, by the way, much enjoyed and (2) a bonus poem and then (3) a lengthy author's note. You are something else, hoss. I true giver of gifts. I enjoyed all of it, especially the author's note.
Finn and Shel--I love and admire both of you guys and when I grow up I want to be just like you.Thanks for going the extra step and reading down into the pieces. That's what they are made for.
darryl, don't grow up. it's not that great to be ff. or do it. it's ok on most days though. i love how your pieces change on and off the page when the muse kisses you on that precious place between the eyes of the poet.