by Mathew Paust
I heard her behind me almost the instant I saw that damned thing on his desk. “Kinda thought maybe I'd find you here,” she said, her voice strong with youthful promise.
“Hi, Sal. Just get up?”
“I smelled the coffee.” Holding a steaming mug, she reached over and set it on the desk next to mine. She inspected my cup. “Can I warm this up?”
I looked at her, shook my head and tried to smile. She smiled back, beaming a radiance that pushed away the chill.
She slipped an arm around my shoulders, and kissed my cheek. Her scent was warm and innocent. “Dad,” she said, “you think they'll find him?”
“It's been three days, Sally. If he was in the tower, I don't think so.”
She squeezed my shoulder. “Uncle Mark call?”
“He's probly still on alert. He'd be here if he could.” I said this without conviction, knowing my brother's indifference to the family. It was he whom I'd always suspected of stealing the dog. He'd been jealous when Dad gave it to me, had even taken it a couple of times when we still lived at home. Clyde, the oldest, had taken it back the second time, warning Mark with a cuff on the head not to do it again. I hid the dog when Clyde went off to college.
Wasn't much to look at. Size of a walnut, but heavy, a dull bronze color. A man Dad knew, a farmer, hit something with his plow. Scientists at the university said it was a meteorite. They broke off a chunk to study and gave him the rest. He had it made into these little dogs. I was about 10, and I found it magical. Treasured it for years. At some point it disappeared.
And here it was on Clyde's desk.
The little pooch couldn't have picked a worse time to show up. If emotions played football I was the skinny third-string halfback caught in the bone-crunching clash of behemoth linemen. Love for an idolized brother, stunned at the cusp of certain grief and now hammered by treachery. The word why ballooned to fill my consciousness.
“Oh, there's your little dog,” Sally said, her voice trying gamely to cheer. She reached across me and picked it up, brought it close to her face. “Hi, little guy,” she cooed.
All these years, I was thinking.
“Oh, Dad, I'm so glad Uncle Clyde kept him.”
“Yes,” I said. “me, too.” My voice sounded odd.
My only child held the little metal pup a long while. “You know, Dad,” she patted my shoulder again, “I've always felt kinda bad about that.”
“Bad? About what, Sally?”
“After we lost our house and Uncle Clyde was helping us move. He was always so nice...”
“What do you mean, Sally?”
“Well, I gave him the little dog. He saw it in a box and picked it up. He seemed so pleased to see it. I told him to keep it, as a present. He said it was yours. And that's when I told a lie. A little one, I thought...”
She looked away, face turning red. “I said it was mine, that you gave it to me.”
In a blink a seam opened in the crush of football linemen, and I dashed through into an open field. I climbed slowly out of Clyde's squeaky chair, turned and wrapped her greedily in my arms.
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This was my entry in NPR's most recent 3-Minute Fiction contest. The entries with more metaphors were finalists.
enjoyed this.
Tks, Gary.
This is a cool piece, and I'm going to read it again.
Tks, Steven. I wish you guys had been the judges.
"If emotions played football I was the skinny third-string halfback caught in the bone-crunching clash of behemoth linemen." Good story. What do those 3MF judges know?*
Tks, Gary. They're MFA students. Not sure what's academically fashionable, but most of the winning entries were quirky and overloaded w/detail and strained metaphor.
Good story and well told. The never-ending issue of what's important and what secrets are floating around. *
Tks, Beate. I'm remiss with my reading here. Appreciate your overlooking that.
Crisis moment, well done!
Many thanks, Epiphany. I'd almost forgotten this one.
Well done. Great depiction of a complicated story--and short too. Hard to do.
Thanks, Dianne, and thanks for reminding me of this one. I've just now reposted it.
I agree with Dianne. I reckon some would say it's a bit convoluted in relation to its length, but to me that makes it poetic. Poetry is all about compression. If something's not too lengthy, there's no problem with convolution, unless something is outright incoherent, because it acts as a prompt to rereading generally. I like the whimsical changes of scene and persepctive in this.