by Katrina Gray
Lana moved books around on the shelf, noticing how dusty they were, and berated herself for not taking better care of them. She felt, especially after Peter's last treatment of her, that she felt too much, and she ticked that point off as one more thing wrong with her. She cried, silently, but could not stop Peter from seeing her body shrug every few seconds, the quaking of her back as the tears came.
Peter was behind her, watching her, his arms crossed. He could not believe she was doing it again. He had worked hard all day, lifting sick bodies, helping elderly limbs get moving again, fingers and arms and necks, and he had to come home to this. He had done nothing, and he felt satisfied with himself when he arrived at this conclusion.
Inside Lana's head was a pendulum, hanging between her eyes, swinging around, coming back as quickly as she thought it was gone. It gained momentum: it not only kept going, but went faster. There was no way to reign it in. Peter's words just hung there, swinging: You are completely ruled by your emotions. And we both suffer for it.
“Well?” said Peter. “You wanted honesty. I was honest. Don't act like it's not true.”
“But there's a way—“ said Lana. She couldn't finish. Her body shook, and she needed to act strong. She gathered herself. “There's a way to tell me.” It was hard for Lana to hear that she was causing someone else to suffer. This was something she would think about whenever she doubted herself, to reinforce how she already felt: You are worthless. Causing suffering was worse than being neutral or lazy. It was harmful. To hear it out loud was too much.
Peter said what he meant. There was no time for wrapping his words in ribbons. He didn't know how to do that anyway. He was from Chicago, and he learned early how to walk quickly and be efficient.
But Lana was from the South. Alabama. Alabama, where there might have been a lot of talking behind backs, sure, but where even the city people didn't like to say harsh things to someone's face. And if it happened to be necessary, there was some cushioning; there were three sentences to every one that was needed. This disgusted Lana for the years she was a bank teller in Birmingham, but now she saw the advantages. She wished that Peter had spent some time down there, just so he could see there was another way.
“You want me to sugarcoat it?”
Lana couldn't answer for a few seconds. “I don't know,” she said. “I just want you to think of how I might feel.” She had run out of ways to arrange the books. She would have to go to another shelf, or fold the clean towels on the bed, or unload the dishwasher—something to busy herself. But she could not turn around and see him and the look on his face. He was disgusted with her, she knew, but she did not know how to be better. She did not know how to stop feeling.
“Goddammit!” Peter said. “All we do anymore is talk about how you feel!” And he walked away. His hands slapped his thighs.
Lana cried harder, not caring if he heard. She could not be strong. And there was no way for Peter to understand that the thing that had pushed her over the edge was the layering of his quips, the unexpectedness of them, his insensitivity. He knew that she had searched the Internet months for a hobby, a way to express herself. And after receiving an expensive camera and lens in the mail earlier today, Lana had taught herself how to make the camera work. She felt creative and smart. She took an elegant photograph of peach fuzz, way up close, and she had to change several settings—the light, the focus, the aperture—to get it just right. It looked straight out of a magazine. “Look, Pete!” she said after she kissed him hello. “I took a picture!”
Peter walked into Lana's office. “It's a peach,” he said.
“But you can actually see the fuzz.”
He glanced at her computer screen. There was nothing especially striking about the picture. He shook his head. “Sorry,” he said. “I just can't get excited about a picture of a peach.”
Lana couldn't help it: her feelings were hurt. She closed her laptop and got out a book while Peter ate dinner, not asking why she wasn't hungry. Lana did not want to sulk, but it came over her. Her heart hurt, and her stomach wrenched, and her thought was: When you love someone, you get excited about what excites them. She would have gotten over that in a little while, even though that thought swung and swung until Peter noticed her there, reading a romance novel, and he said his next thing, the one that really did it.
“I don't understand why you read that shit.”
Lana stopped reading but kept her eyes buried.
“It's not smart,” said Peter.
And Lana's next thought, the one she thought would swallow her, was: He hates everything about me. I am not interesting to him. I cannot be myself around him. Her nerves wiggled and twitched. She did not want to say anything that would sound stupid. There was nothing, really, that she could say. She closed the book and walked to the bookshelf and tried to fit it in the wrong place. When that didn't work, she moved the books around—her romances around Peter's philosophy dialogues—but nothing worked. Tears came.
Peter walked over. This again, Lana. This was all she had for him, after all he had done that day, the old people and the lifting and stretching. After being so tired.
There was nowhere else for her to escape to, no way to make him understand. Her feelings mattered, or did they? She had told him: I'm not saying I'm right; it's just how I feel. She did not keep it inside. Her therapist said that this was the healthy thing to do, talking these things out. It's how marriages end up working. But for Lana it was easier the other way—brooding and rotting, not letting on. Only dealing with herself and not more Peter. Not having to say things out loud.
And it was easier for Peter too, because he just wanted to wind down and eat some dinner and watch television. He wanted to walk in, take off his scrubs, and not have to look at pictures of peaches.
Hours before this, Lana could not reason throwing herself away. There was a spark in her, something new and brilliant, and she couldn't understand how she could have been so down on herself. The peach had been heavy in her hand, but so soft. She ran her fingers over it a long time before she set it on the windowsill to photograph it. As she set the camera, she remembered her pill. The bottle was too close to the peach and was blurring an edge.
She smelled the peach and thought of how she would cut it open soon, maybe tomorrow. Peter had pulled over to the roadside stand and bought her a bag of them, the first of the season, and this was the best one. He walked through the door with them yesterday, smiling.
She stuffed the peach in a brown paper bag to ripen faster. In her head, Peter said, You are too impatient. But the voice wasn't right. Lana had patience. She knew how to wait, and how it felt to wear away little by little, slowly, becoming dark and soft, until even caresses felt like bruises.
there is so much heartache in this wonderful story and small moments - you can actually see the fuzz of their relationship. rarely read a piece this short where i so felt with both (!) characters. and the subtleties ("she moved the books around—her romances around Peter's philosophy dialogues—but nothing worked"). the dialogue is very effective. must learn from you. last sentence: beautiful and ominous. star.
I agree with Finnegan. Lots of ache here. This a well written piece, Katrina. The form is just right - places me there. Great ending.
You got the southern sensibilities about telling the truth to people's faces down pact in this story. And I too loved the dialogue in here.
I feel like I know this chick.
Thanks, everyone. I'm glad to see it works for you. I finished this last night (this morning, really)in a fit of insomnia, and I posted it during that same fit. It's the Fictionaut equivalent of a drunk-and-dial. Your positive comments are like the callee being quite receptive to the 3am call. Have I extended this metaphor enough?
Really nice, Katrina. There's an indepth look at how so many relationships move.Very nice. And yes, I think the peach is the metaphorical center, particularly in the afterglow of the story.
Lovely stuff, Katrina. It bears down relentlessly into what the characters feel and think and does so with an accurate intensity. Enjoyed this.
Wow, this might be the best thing you've ever written. Each sentence just rings with truth. And the ending brings it all home. Fave.
Wow. Thanks, guys. D.P.--really? What a kind thing to say.
This is simply wonderful.
there were three sentences to every one that was needed. This disgusted Lana for the years she was a bank teller in Birmingham, but now she saw the advantages.
He was disgusted with her, she knew, but she did not know how to be better. She did not know how to stop feeling.
She closed the book and walked to the bookshelf and tried to fit it in the wrong place
until even caresses felt like bruises.
a north-south story, complete with a georgia peach?
it put me in mind of a woman's version of the dh lawrence tale, women in love--as if a woman had written of gerald, his cold factory northern heart, how he met the only fitting end he could meet, freezing to death in the snow and ice of a world bereft of people.
it's not tidy, but its love, love.
the last line is a beaut
ha, you extended the metaphor quite well in the comments, katrina, made me grin
i like this a lot but i'm wondering if maybe you could add a few lines to let us know exactly why peter stays with lana. he seems to loathe her and take pride in being cruel to her. i know a lot of couples end up this way...but maybe something from her pov, something about how good things used to be, maybe then we could see why peter stays...maybe he is hoping she'll change, start reading smarter books, start getting "better" hobbies, etc.
i really like the lana character (though she cries a lot!)...but his character seems a bit nasty right now and i'd care about them more if he wasn't.
it's very well written and the fact you did this in one night is impressive!
I have written the next chapter in my head: Lana becomes a famous and successful photographer and, as her confidence grows, her weepy timid personality changes. By the time Peter finds her attractive again, she is SO over him.
Thanks, Gary, David, and Gita, for reading and commenting.
David--I see what you mean. I agree. I must think of how to soften Peter up a little.
Katrina, I really enjoyed this, thank you, it's peach-perfect :-)
Katrina, I have been thinking about this story quite a bit today. Re-looking at my comments, I think that I may have overplayed how much is needed to soften him up. The peaches thing is good, especially his smile bringing them in. I id with his character a lot (reminds me about how I was in a relationship years ago)...so maybe just one more line or two will be enough (if you're inclined to alter the story a bit). Obviously, based on the comments, this story works DAMN WELL as is. Great stuff overall. D
Oh, I'm glad I'm not the only one thinking about this story much of the day, and also thinking about not softening Peter too much. I know this guy! All charm and gentleness and in the kindest of professions. Still yet... After all, this is why we write fiction, so we can tell bits of the truth, gut wrenching as it may be.
Nice, Beate, I like how you sum up this guy. He does feel "real." Indeed, this story has sticking power!
In fact, Peter reminds me a lot of the narrator in a great story called "Strive To Be Happy" -
http://www.flashfictiononline.com/f20080702-strive-to-be-happy-david-tallerman.html
it would be interesting to write this story from peter's point of view, tentatively titled "sugardaddy" to stick with the sweet fruit theme. better than dilute his well fleshed out character. though i understand where david was coming from in his original comment.
this is so good!!!!! I love this!!!
This piece is brutal and sad. That's why we love it! How did you get that last line?
This story chilled me, I think because I recognize truth in so much of it. Striking portrait of a problematic relationship between two great characters.
Yes! Katrina this is superb! The last line especially is brilliant and oh so bruising...
Thanks, all you fine people! David--love that story. I'm glad you posted that.
the alienation of the artist begins at home here, Lana discovers inner resources that will help her make the best of it. what a well-told story this is
Beautifully metaphorical. Like others, I love the last paragraph. Progression is effective...the only question I had was setting. I don't know why it mattered to me but the N vs S attitude & sentiment made me wonder where they ultimately landed as a couple that he could buy peaches, roadside.
I can’t add much to the comments already here. This is a wonderful story!
I second Christian's comment. Beautifully written, Katrina!
Wow, this is just gorgeous. I love this so much, and I cannot say anything more than what this community has already said.
thanks for posting on FB..missed it 1st time around. Gorgeous work. The play of the cold north, efficient, city-walking, surgical remote male against warm, southern, emotional, vulnerable female is so well done...The snapshot taken poignantly at a moment when that otherness has likely cracked open the pit as everyone knows once bruised a peach soon goes rotten to the core. This is a fav well deserved.
Thank you all!