The courts had scheduled the date long ago but the time, an hour always left to the warden, had yet to be decided. When asked, he uttered the only hour that made sense: midnight, b2ut he didn't say midnight, which would have been clear and precise. Instead he said twelve, which might seem clear enough, but the warden was a nervous man and this produced a steady stutter, so instead of saying twelve, he said twe-twelve, which his deputy, opting not to ask for clarification, understood to mean 12:12. And so it happened that the warden's first execution took place at twelve past midnight, as did all the ones after.
Darkness passed more slowly than the daytime. When sleep came, fitful as it was, it always came at some point past 12:12. During wide-awake stretches, the warden would search for something, a turning point, perhaps. He wanted to believe he had somehow changed, that he had not always been this way, but knew he had not changed much. Then he thought of the next execution, a man who tried to end his life before the warden could do it for him. This part, even if only this part, the warden understood. He thought the inmate had, in all likelihood, not changed much, either.
The warden's eyes darted between the man strapped in the chair and a mirror that took most of one wall, which he and everyone else knew was not really a mirror, but it acted as mirrors do and therefore presented a reflection. He looked at himself in the mirror, then at the man whose life he was about to end; though he would have argued otherwise, they had much in common. Then the prisoner asked something of the warden no one had ever asked before. He asked the warden to take his hand.
When the warden was a boy, the ice beneath him broke and birthed him into cold water. His body stiffened and he shot a hand toward the hole his weight had just created. He wished someone would take it, pull him out of the crazy mess he had fallen into. And someone did. Someone reached for his hand, and the warden reached for the inmate's hand. They both squeezed and just by looking into the eyes of the inmate, the warden knew his thoughts, which were the same as the warden's thoughts, that they were not all that different. Each one held the hand of a killer.
Established practice called for the warden, when the time had arrived, to flash a thumbs-up in the direction of his deputy, which would signal he was clear and the switch could be flipped. He locked eyes with the man whose hand he held, thought about icy water, and realized change had come at last. It was twelve past midnight. The warden lowered his head and without freeing his hand, flashed thumbs-up with the other.
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This story was published in Unlikely Stories:
https://www.unlikelystories.org/content/the-eyes-of-the-inmate
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Nothing for me to say here. *
Ooo Foster! I love this. *
All deaths become one death. All losses, the one loss. The childhood scene is strong and effective. I connect with the closing.
Killer ending (I couldn't resist).
Restraint works powerfully in this.
Chilling.*
Holy crap!
How easy, huh. *
This ended up being totally different than I thought it was at the beginning. I was first thinking "Dexter" but at the end realized "Executioner". You kept that little tidbit tidily hidden until the last. Good story! *
Fos--This is unexpected and so well done. *
Wow. Yeah.
Yes.*
So powerful, Foster. The emotion transcending the time span brings the reader into an examination of his own past and bringing it right back up to the forefront to enable him to feel it.
*, Foster. Man!
You've written this so well, Foster. Your writing is always good, but this one is exceptionally good.
*exceptional
wow this is rich, has richness and some deep deepness. Yes, yes, yes.
I love the interweaving (as does everyone else here). And I love the little detail of the 12:12!
Chilling. *