“Send lawyers guns and money, the shit has hit the fan.”
Warren Zevon
1.
In a different life I'd run away with the waitress,
scream across Santa Monica Boulevard negligent of red lights.
In a different time I'd perhaps get her to take the wheel
while I shoot out the tires of the pursuing cop cars,
confident of making the border before nightfall.
We'd lie low in Tijuana, maybe cut and dye each other's hair
and mull over the maps and the madness of our options.
Bolivia might come into the equation. As might Honduras,
which would be less of a drive and warmer at night.
It might then be time to dump the stolen Cadillac.
Back in LA, the news headlines would make my colleagues
giddy with perversion. In a smoky room a phone would ring,
the receiver lift and a voice on the other end announce
in excitement Mac's made it.
2.
Desires crackle like moths to a hot bulb in this café, the
scripts abandoned and the headshots growing older by the day.
They still dress the part mind you, the waitress in her bowler
hat and black bra visible through her thin cotton blouse;
my neighbour in his striped three-piece suit and pocket watch.
I was told about the ice-cream parlour across the street and
I shift my attention, watching the clientele come and go,
when all of a sudden it's you that's on the run.
You are dressed to the nines, dark sunglasses and bouncy hair,
men wait until you have passed until turning to inhale your
perfume -
- it's Florence. It's early summer. There you are.
In front of a cathedral, pigeons scatter as Carabinieri race towards
the bank alarm calling out for help, but you? You just light a
cigarette and toss the match stick over your shoulder. It's all
being shot in black and white of course to give that timeless sense,
and from an open balcony window we can hear a cello play the Bach
preludes as the credits roll and you disappear into the foreground.
3.
I hear the slightly scratched voice of Joan Baez coming from
the record player singing about the junipers in the pale moonlight,
applause erupting like hailstone on a corrugated iron roof.
I am singing back through the bedroom wall,
wishing the neighbours would just shut up for once and listen.
Night arrives with a baton, taking its dark lectern on cue and conducting
its flotilla of noise: fire trucks, police sirens, ambulances,
a car alarm crying wolf to the night.
Headlights, red lights, green lights, turning signals, cross-walks flashing,
gas station forecourt lights; Sunset Boulevard from this angle looks more
like a fallen Christmas tree.
And I am reading your email, throwing my mind back to the wine bar
tables where we would arm wrestle over the colours:
misty-memory-green, winter-cheek-red —
each new phrase coined celebrated like a scientific breakthrough.
In a different life I would run away with you,
into the tattoo-blue of early evening, cover our tracks
and burn every single one of those maps.
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For all you who have ever had a coffee in Intelligensia or anywhere else in Silverlake, looked around and wondered what in the name of Christ people were thinking when they got dressed in the morning.
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I dated a guy from Silverlake.
Yeah...what in the name of Christ was *I* thinking...
Really enjoyed this. Nice, insistent pace.
I get the LA vibe from this... and although I don't live down there, I'm down two or three times a year now. It's not the LA of the 80s or even the 90s.
Its finding itself and losing itself, I think. That's why Silverlake and Echo Park and Los Feliz and Eagle Rock aren't what they used to be or what they're going to be.
LA's a seductive dark beast you've collared well for a moment here... probably only a moment though.
Good point Steven. A seductive dark beast indeed.
So many good lines!
"Sunset Boulevard from this angle looks more
like a fallen Christmas tree."
Yum. *
Wonderful piece with great sound and great, very specific and singular images and details.
Enjoyed this thoroughly.
Nice idea for perspective of another life as a black and white movie. Well done. Fave*
I like the last section particularly. Tattoo-blue is a great image.*
as precise and compelling as William Carlos William's "Patterson."
For all the cacophonous sense imagery, the structure is absolutely elegant, so sure of itself. Lovely.*