by Darryl Price
I am not a gun, but I think I may have
pulled a plastic movie trigger in some kind of real world action before,
accelerated, pivotal scene, one way or another before, this new frame came into its paranoid view .You see? I am not a plastic water bottle,
but I might have already bought into the snobby notion of it's
somehow being so much better for you than a soda
pop, and therefor a pointy badge worthy of being pinned on a crisply ironed new shirt or just
carried around to show how civilized we are in our own little painted in the corner of the glued together universe place we share, the one we all seem to rent in fear and out of sure remorse or boredom.
Why do we make these heavy lies so often so comically
transparent? Show of hands. Today I saw
the most beautiful weeds, I mean it,
growing up through the cracks in the rough and tumble
median as I was slowing down trying to
get onto the free way. Beautifully formed
leaves of such exquisite craftsmanship and symmetry
that it took my breath away to be
made aware of their tiny presences there. I'm sure
workmen will eventually cut them down before
their prime--whenever that is. Will they
have time to flower in more than
my imagination a mere few hours or weeks later? Here's a strange
thought I bet you didn't see coming: whenever
someone says that they like my stuff I
immediately feel like a failure. Like is for
ice cream I'm thinking. Like is for sex and
walks in the park. Where's the love? It's the downfall
of my pretty house of pretty poems. One more thing: even your
most creative impulses should be about your freedom of expression.
Water flowing, describing everything it sees in a timeless, winding off the grid grin fashion of real painterly perfection. If you ask me.
Bonus poem:
Unseen Impulse #2
I pray for you to just hold
on. Saying that right now
seems rather more childish
than I would want it to. Oh
but isn't that just the
fear that's attracted to
anything that's brand new? I
know that whatever God
is it's not a wishing
well. I still want this to
be said, that's all and said
by me. I ask mercy
and forgiveness for you,
that your time have meanings
full of both grace and joy
even without my hand.
8
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"We hope to learn from the poets how to stand against uncertainty."--Harold Bloom
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A cool balance here of observation and commentary without losing the poetic voice. Dig that image of water flowing and describing everything. You always end on such a strong image, DP. Rock and roll.
Good job with this form, DP. Works well. I like your approach to phrasings in this: "transparent? Show of hands. Today I saw the most beautiful weeds I mean it growing up through the cracks"
Enjoyed.
I love it. Really, I like the human quality within it. I like this: "a badge worthy of being carried around to show we are the civilized." since it's what our world is coming down to. Visuals as a means of communication. Back to a spread peacock tail and the baboon's fanny.
The convo feel of this poem puts me right in its path, carries me like your water. Your first stanza -- whoa! Peace...
Your poetry is always a pleasure to read: thought provoking and stimulating.
"Beautifully formed leaves of such exquisite craftsmanship and symmetry that it took my breath away to be aware of their presence."
The love is here...*
Where's the love? It's in every word of this piece. Gorgeous.
oh my god, darryl. headed over here from 52|250 where i fell in love with your ode "the last time" and now this - i feel as if a great bird has landed on my head whispering things that i needed to hear into my clogged ear. ironic that a poem in which you mention the "downfall of my house of poems" almost certainly sits near the centre of that house. poe-esque, my friend.
Darryl, these are amazing as always. So much good stuff. I especially like the weeds & the inclusion of 'I mean it'. Small thing to fixate on I know :) but so freaking good. And the bonus poem makes me cry. That's a good thing. Thanks. *
Beautiful. Both kind of break my heart.*