If you get crushed in New York City that's your own problemcareful where you step and crosswe've hailed taxis through the lava to traverse a cold street occasionally, stopping to dream on benches or church stepsanywhere with shadeThrough the walls, I hear the opera stopand down below, soon,the hydrants will burst open check your palm on the doorThe fire is not in your apartment It's everywhere elseBe forever patientcrawling through the smokeyour building was built to withstand the bombings but no planes dropped letters
the only mail you got
in your small PO box
were notices, maybe from Hell
so leave
leave the perfect angels in the radiators
leave the kingdom of blue-ball mice in the walls
all thousand generations of them
leave the graphitti of your neon-non-children
and your neighbor screaming out the schedules of
alternate side and third rail alive
slide through the tunnels
crossing beneath the water
come up in the swamps of New Jersey
you, a random tetrapod,
looking for lost turnpike coins
in the slot between the seat
and the floorboard
the ocean, still rumored,
laying ahead
* Really, really good.
Chris is right.
"check your palm on the door
The fire is not in your apartment
It's everywhere else."
^ Those lines.*
Turnpike coins- is that product placement?
Thoroughly enjoyed this.
"leave the perfect angels in the radiators
leave the kingdom of blue-ball mice in the walls." Good stuff, Bud.*
Too many good lines to list, though the ones Steven indicated are quite good. *
In "Being Bud Smith" the thrill ride of occupying his consciousness ends when you emerge naked in a NJ swamp.
Besides the rhythm -- cadence, flow -- of it, I like the turns, the images that are objects, and especially, the lava. *
Excellent piece Bud! Great lines, images and rhythm. Really strong poem.*