Birgit Tengroth, a performer for the Royal Dramatic Theater, the theater, Sweden's national stage, sits fidgety sipping tea and chattering in a quick, high voice, “I am talented and beautiful and want to make a great success! Look at my hands—how they tremble. Look at how unlucky! But why? Last week I meet my understudy. Comes clomping in here like a milkmaid. This big horse, this colt. All young and loud and big and I swear her face like a lighthouse lamp, glowing—I remember thinking, ‘She's drunk at nine in the morning.' She had three big sandwiches in brown paper, this crumbly bread: two smelly liver pâtés and one of them stuffed with butter and pickles and eggs. Crazy. And this great thermos of cream. She takes a big chug from this thermos and lets out a belch—I swear to you!—and drops the thermos on the table with a clunk and says, ‘Hello, I'm Ingrid! Ingrid Bergman! I hope you don't mind me eating. I simply love to eat, don't you?' I said something like, Oh-my-God, and ran out to tell Olof about this crazy teenager peasant woman who had stumbled into my dressing room.
Only Olof had already seen her.
He said, ‘She does have a certain naturalness about her, doesn't she?' I could already see it, his eyes; they danced over top my head…He wouldn't look at me.
Naturalness? What are you saying? But I knew exactly what he was saying.
Last night Olof has her as the angel in Dream Play. ‘Just to try, this one time,' he says and squeezes my shoulder. She comes on stage and suddenly all of us frozen, frozen and fading, like cutouts, some kind of pasteboard. Eyes just seem to fly to her, all the eyes, everyone. And then the people rush up after with flowers and smiles and just laughing and gushing and this one man from the papers has a camera and a notebook and says how clever the way we followed her the whole time with a spotlight. Whose idea was this spotlight?
And now I wish this cup were hemlock, I do. My hands, see this trembling? At my age! And I can only wish her success. The movies. If not, I know it's over; I'm already dead here.
You see what I'm saying, right? Can you see it?
We never had any spotlight.”
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I glow Ingrid Bergman
Dang... VERY GOOD, Sean. Very powerfully nice!
Wow. Brilliant. Fav.
Is there a fav-plus option ? Glowing appreciation here, I love this!!
'And I can only wish her success'. Ah, the moment we come to love a character. Beautifully portrayed. Enjoyed this.
Wonder ful
Good, very good, very damn good, really quite very damn good. I had promised myself not to fave anything for a while, but vaht da hell.
Really enjoyed this.
Yes, very good. Enjoyed reading it. Looking for more.
Naturalness? What are you saying? But I knew exactly what he was saying.
what a great piece.
Original, great voice and character, just love this story
You've got a great POV here. What keeps me from giving myself over is the spotlight motif. The piece is depending on it so most readers will probably roll with it. This will probably be published as is, compliments your other shorts, I just don't believe the bit about the spotlight. Maybe this is a true anecdote, just feels like it needs tweaking still, finding a way to alter it a titch, or to come at it from another angle?
It's a good point.
Tx