by Jake Barnes
On high a centaur is pulling a yellow chicken on a sled. The dancers are aloft in midair, high above the houses of the city, unmoored by mortal earth. The man holds his partner's waist lovingly, the dark-haired girl spreads her arms and legs and flies.
When I died, she said, she was going to have me cremated and put my ashes in the cats' litter box. My wife has a mean streak. I don't think she'd really do it, but I wouldn't put it past her. I told her to go ahead. I don't mind, I said. Dead is dead. Who cares what happens to the remains?
A woman opens the gate and walks into the yard trailing smoke. She shades her eyes and watches the yellow hills rising beyond the dirt field across the street. The air is dry and smoky from a fire some miles away. The air is cool. A pair of vultures is soaring in a circle high above the rising land, above the hills that will someday once again be green, maybe, someday, if it ever rains.
Max wanted to watch while I fucked his new girlfriend. “No way,” I said. Max was unhappy with me because I had spoiled his fun. I called him later that week, but he wouldn't talk to me, so I talked to his girlfriend's mother instead. She was visiting from South Dakota.
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Bits and piece
Like these flash vignettes. Actually they are petty cool. :-))*
I like the how these pieces connect - distance with otherness: flight in two of them, possibility of ashes in the litter box, the possibility of green given enough time & the visit from South Dakota. I like. *
Good fragments shored against our ruin.
Fantastic writing. I esp. loved the first three. ***
Agree with Sam about the idea of "otherness" as a connecting point-especially in the last one. I think that this is as much about the unsaid as what is said. if not more. Risky, enjoyable writing.*
A nice set, Jake. *
Agree with Gary H's comment--it's perfect!
Are some of these based on paintings like your Chagall set?
Well done. Each one a gem.*