by Darryl Price
and springs its ready-made claws into
action and takes a soppy chance
that things will probably go its
feline way today. But you, my friend, must
you always throw the testing switch
to high voltage on me? Yeah I
get that the history teachers don't
want me to talk with their students again about their corporate methods,
but they have never been smart enough
to learn from us what now is. That's bothered
me a ton in the past. I'm
pretty sure they still don't get it.
The we as we are now part. They think their
aged kind of knowledge is the
supreme skeleton key, but let
them try fitting that stale and polished old
ship into their bottled up sadness
without collapsing the fragile universes around them.
I don't want to sound morbid.
I enjoy life. I've learned to live
with the pain. It simply comes like it
belongs here so who am I
to judge it as unwelcomed or otherwise univited?
Pain is one petal. One pissing
cloud. One star. One shoe without
the other. One beamed signal from
out in deepest outer space. For those of you
smart enough to know your elbows
from your college degrees I give
you this one simple list. One love. One soul. One
light. One tragic ballad hanging by a thread. One yang to anchor your chain.
One multipurpose building on the verge of collapse. One acceptable
transference. One handwritten history for the hidden pages of magic books.
One call back. One available
backseat for a fearless driver. One careless whisper.
One four letter word. One priceless forgiveness.
One summer night. One rat. One
carefully buried deep finger. One
lost ball. One will to make it. One living flesh and blood.
Bonus poem:
by Darryl Price
I wanted a windowframe between me and the world more
than I wanted your love next to me. Little did
I know that there was a listening presence big enough
to lift a finger in that direction. This is not
a new sad story of some sort. There are no
such things anymore. I suppose the ending will be nothing
more than a subtle shift of light on a wooden floor,
softly fading out of place with nothing left to reveal than the silent hour.
No time to fold between cool sheets of shadows. So there's where
life begins its invisible journey up to the disappeared lands, right
where you're standing. Nothing is built to last, but oh
didn't we create an interesting dance though, one that brought
stars to the fore fronts? They simply reflected us out
into the stratosphere like blowing streams of pure burning hills.
Let's not pretend. We were open, revealed, generous, and kind
to all others. We were the medicine that the people
so desperately longed for. We provided proof. They took us
apart, and we let them. The only reason for this
vision now is not what you might think, it's to
smile at you again. I stood still before your ocean
and felt at home. I entered your forest and belonged
to branches, the leaves, the many winding paths, as if
they were made out of my own arms and legs, sprouting faithfully
all around me. That's miracle enough to track these words down and remember them.
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A friend of mine who hates cats loves this one for some reason. I tried to explain that the cat was just making a point but he still thinks it's just about cats. There's also a rat in the poem. But is it a rat? When is a cat not a cat or a rat not a rat while representing both? Too cerebral for me this morning. Suffice it to say you must choose wisely before you enter any crevice to a lost or forgotten Paradise.
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<a href="http://kaffeinkatmandu.tumblr.com/post/11112714164/the-kitty-cat-made-the-stiff-little-nose-in-the-air">kitty again</a>! "pain is one petal..." begins a most marvelous stanza in this poem.
Oh yes, I agree with Marcus, a brilliant set of stanzas. Wonderful poem and a smart epigraph.
You had me captivated with "and takes a sloppy chance." *
"Pain is one petal. One pissing/
cloud. One star. One shoe without/the other."
I so rarely read poetry and am able to see through some of the thickness of language, strangely enough. As usual, with your work, DP, you've brought it home for me. Thanks for that, and sorry I've missed so many of your fine works you continue to so bravely write over the past few months.
Oh, and the excerpt above....knocked me on my ass. Just saying.
Loved it all. In the top five of DP.
*
This poem bucks and struts with confidence, accessible and engaging. Full of interesting contrasts: "claws [...] soppy". I'd be tempted to take out "and" from line two and "that" from line three as they are superfluous here and the poem starts sharper without them. I realise you have an eight syllable thing going on with those early stanzas but don't think one should ridigly stick to meter for the sake of it - and I see later the poem deviates from this pattern anyway, most notably in the first line of the final stanza. A great poem, great rhythm: a pleasure to read.
Rachel--thank you so much! Wasn't it Sean O'Faolain who said,"and" is the most hopeful word in the English language?