by Darryl Price
Suppose you should bend your whole body backwards you know
like a powerful bow and push the rest of
your true self forward in my face just like Georgia O'Keeffe in
nineteen-nineteen, push it all over in my general direction? My gaze would
certainly be more than just the official poetic
curiosity at work, posing the question of authority
at another wondrous natural landscape, to be framed
in the matter-of-fact context of a newly crystallized
awareness-- cloud-shaped or not. And yet she loved
this man, what she saw in him, more
than the urge to cover what he so
desired her to be. When Picasso turned his
young muses into a stained glass cartoon of
sexist beauty, collapsing even the brutish sun's rays
into a junk pile of entangled light, did
he in his wildest imagination notice the tears
shed for his own lost sympathies? When Cynthia
Lennon missed that transcendental train to the new meditation on a
future without fear and hate because no one was watching out for
her specifically, did the antique glass orb in
her chest tinkle to pieces as it fell
out and smashed onto its own black and
white paper street like so much trash? I'm telling you now, in
nineteen-nineteen Georgia was in the beautiful nude all
right, but she was the one setting up
the shot, youthful, secure, possible, primitive, weather or
no weather. So let me pose the question
to you again, are you willing to watch
the waves, knowing that your poet is preparing
to sail towards all desire for you, that
shipwrecked or not he will crawl on hands
and knees to bury his face in yours.
Bonus poems:
Poem for The Outside by Darryl Price
Lately I've been using a heavily
opened upside down book for a new shell called
home, unwilling to entertain even
the very nice idea that maybe
I should go swimming out there once in awhile. I'd rather
look out from my own back pages, thank you, just
surrounded by a tight swirl of folding
around free floating words. I've still got a
pretty good view of enticing pretty
seaweed dancing in the changing daylight, because
of that I'm aware of the strong sway of
the latest currents. But those huge angry
dark shadows, still here after thousands of
jagged years, that sometimes speed by at such
incredible speeds and depths really make
me want to add a few more volumes to
my already collapsing roof until
I'm looking like my own strange standing up
coral, not looking for any trouble
really, just being my floating part in
the swirling about universe. What would
happen if we all lowered our weapons
at exactly the same moment in time? Lately we've
all got so much dried blood on our hands. Lately
we've all got too much permanent sadness inside
of our still hurting heads. It's as if every
window to the healing truth is fastened
together with thick mucky blue paint and
will not budge open. We see the outside
possibilities, but no one's going
to break the safety glass first. So here we
are again. Lately I've been reading the
found notes from my own crying mind, like a
mad scientist, like a folk singer, to
find the quiet answer to so much gathered stuff,
restless sleep invading my sun lover's dreams of soaking up a good life. dp
Flowers On the Table
I've got to find my own way to shake it off, that's what they keep telling me,
but, really, I don't know what it is. All the ways seem made for someone else's dance
party system. That's the only thing I can write here down for sure. The rest is only
me pretending to be taking a serious nap, but it feels pretty empty, searching somewhere on the
inside of looking at my closed eyelids for what we lost when we were just beginning. And you still stand there on
the other side of my radio demanding some kind of perfect payment from my least awakened thought.
I know it. You know it. But I'm still flabbergasted at the distance to the sun and
back every day just to maybe find a poem among the poison mushrooms growing by the side
of the road to make you smile again. I thought this was supposed to make you feel
like crowing like you can never get enough, but, look, it makes me feel so tired, all
this trying to be something, I mean, whatever happened to loving the moment, instead of waiting for the right time to arrive?
It gets lonely. It all seems like a hideous crime that no one wants to say out
loud has happened. I can't stand having to play a game just to get you to share what's in
your head with what's in my heart. There's your poem, at least for now. My suggestion is
to use it to get into your dreams this very night. Oh, what have we done? Oh. Oh.Oh.
Happy(an early draft)
by Darryl Price
Are we happy yet? Life without sorrow is not life. Try again. Are we happy yet? Killing yourself for pleasure after pleasure turns out to be the opposite
thing altogether, but you already knew that. Try some more. Are we happy yet? Love is not all you need, unless you turn everything and that includes
everyone everywhere into love. Are you willing? Why should I be the only one, when I'm not the only one? Are we happy yet? My choice is true hope
I hope for everyone here, but you'll say it's another con game made out of pictures of hands because you can't please them all. If it did I wouldn't be
doing it right. They want a back flipping poet who is always on their silly sides. I don't want to be anyone's golden vampire. Check it out. Are we happy
yet? We've given the children's keys to the kingdom to the cloud people to hold until we get back from the Crusades with our bloody survivor stories to
tell. Are we happy yet? I smile into the mirror of your eyes, but it doesn't work out at all that way for me. Are we happy yet? It's all good. Try turning it off
and on again. I mean you've given everything you've wanted to hide away to these unfeeling soul sucking machines and now you want their eternal thanks
tattooed forever on your bank statements like Christmas cards? No thanks. Are we happy yet? Oh the magnificent bombs didn't change a thing. Oh the carnival
ride is over. Oh there's a big shark in the river. Oh I think we just may have misread the tea leaf vibes after all. Oh there's a feeling we seem to be missing
in the backs of our minds. Oh I don't feel so good. But you said. Are we happy yet? Oh you don't love me anymore. I'll put my pants back on. Oh she
was the most beautiful woman I ever played hooky with. Oh you're kidnapping my laugh. Oh catch me if you can. Are. We. Happy. Yet? Oh give
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I was standing in the art section of my favorite bookstore flipping through a bunch of art books when I happened on this amazing, beautiful photograph of Georgia as a young woman in the Southwest. The look on her face was completely relaxed, assured and powerful, feminine and brave. I was trying to imagine being in her presence in those days. Then I picked up a book on Picasso and it showed photographs of him with his various girlfriends, all of who looked very self-possessed, but the paintings he made of them showed them as chewing on things and falling apart into different sharp angular pieces. It all seemed unfair. Not to take anything away from these great artists. Picasso is the master. I know it. You know it. But my heart went out to these individuals who sometimes drowned in the wake of these great men, these great souls. I thought maybe it was my duty as a poet to show them from a different perspective. In any case, it's my gift to them, though a bit late in coming, for their presences in the continuing story of the spirit of creativity.
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"And yet she loved
this man, what she saw in him, more
than the urge to cover what he so
desired her to be."
"When Picasso turned his
young muses into a stained glass cartoon of
sexist beauty, collapsing even the brutish sun's rays
into a junk pile of entangled light, did
he in his wildest imagination notice the tears
shed for his own lost sympathies?"
"I'm telling you now, in
nineteen-nineteen Georgia was in the beautiful nude all
right, but she was the one setting up
the shot, youthful, secure, possible, primitive, weather or
no weather."
You just get better and better!
******
Your imagery in the last stanza is a favorite motif of my own. Makes me think there must be something to it!
I have a lengthy response to that last stanza, but for now, I'll just leave this:
*
Bill,Emily and Amanda: thank you all for reading. I worked really hard on this one. I'm always trying to connect the past and present, especially in the context of certain braveries and individual, struggled- with acts of creativity that I find still mean something to me--even sometimes something untold. To me it's important to speak to the feelings that art gives us, even if they make us uncomfortable, to tell the truth in that moment of discovery. Thanks.
I always try to maintain at least a pose of dignity back here in the library corner where I avail myself of the free wifi, but damn if I didn't find my jaw hanging down and my lungs in need of a gasp when I reached the end of this poem. Fortunately I don't believe anyone was watching. *
Thanks, Mathew.
Lovely poem.
Thank you, Gary. Much appreciated.
posing the question of authority
at another wondrous natural landscape, to be framed
in the matter-of-fact context of a newly crystallized
awareness-- cloud-shaped or not