O'Neill is at a party, gentle harp strokes and an ice sculpture of Hirst's tiger shark, and a blonde-haired woman asks, who are you chasing? The nights as they do spin and swirl and next there's a flame-haired woman standing next to a primal, clawed de Kooning, her drink like a split brain displayed in formaldehyde, and her voice in velvet says, who is it? The night ends on the other side of town and the woman this time has jet black hair like thick impasto strokes. Maybe she's one of the other women. Maybe they're all the same. He's lost, too much the case lately, and can't say. Drinks become Aquis Submersus, the women become Guerilla Girls. Who, she whispers. In his mind, the city becomes lights through running water as the night grinds the world's art into shredded colors. In a dream, he's covered in masticated bits of paint and canvas and metal shavings and it keeps raining down until he's buried and he wakes up with a yell. Val's next to him and grabs his arm. What, she says. What he doesn't say is, there is no name.
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Part of a set that’s the projected last section of a longer, eight-part project that also includes my 64-piece set on Danny Casolaro (previously posted here and on my blog). This set focuses on John O’Neill, former FBI agent who pursued Al Qaeda and died on 9/11 as the security chief at the World Trade Center.
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A neat little mystery. *
Big yes! Great imagery, sexy. *
Conspiracy noir which all conspiracies should be.
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Thanks, Jake, Tina, Gary, and Amanda!
I agree with Tina. *
"the city becomes lights through running water as the night grinds the world's art into shredded colors." Great stuff!*
I love how you set off all this sexy chaos and conflagration with gentle harp strokes.*
Beate's great comment measures the quality of this piece perfectly.
Thanks, Charlotte, Gary, Beate, and David!