A Night In a String Of Long Nights
by Robert Crisman
The guy was one in a long line of flabby-ass tricks, no doubt. He waited at the Ramada, ready to pay her $200 for one hour's work.
Michelle had been going single-o for two weeks, in addition to doing the doubles she did with Roanne.
Whatever innocence Michelle had brought to the game was long gone, even the part where she dreamed she was the star of a righteous, asskicking movie. In place of innocence, not toughness so much--or maybe it was in a strange kind of way. She was cynical, bitter, angry, all that--but she was composed. She'd grown a game face, a cold, sullen mask that spoke to her rage, but also reflected resolve, cool resolve that marked out the veteran of trench wars.
A veteran of trench wars, this erstwhile suburban princess, determined to press to the end.
It wasn't courage exactly. Still, this was a girl whose day-glo illusions and Disneyland daydreams lay dead as Dixie; nothing remained but the war.
The guns and the bombs in the war were for real. They shredded the flesh and tore out the soul. Still, she'd press on. She'd signed up. There was no going back.
Go back? To what and to who? Daddy? Some paper-ass boyfriend? Back to the prison of pink cheeks and anklets and shopping in malls with her Barbie-Doll friends til she croaked from sheer boredom?
She could have decided to kill herself. It was always an option, you know? But rage choked off her fear of the future. Also, simply, she wasn't yet ready to die. Nothing left then but just shrug her shoulders and keep keeping on.
Two hundred bucks would buy enough dope to feather the memory of flabby-ass trick number thirty-six million, at least through tomorrow.
I just finished reading your story "Roanne's Dream" (which floored me) and then saw this one posted which is so much a part of Roanne's story. You really know how to get inside them, and the voice/ language is perfect
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Love the war analogy, Robert. Very good. Very fitting. And your description of Roanne's inner world is pitch perfect - the white noise rage present in every word you reveal to us. And the choice. That's the clever bit. You show us she had a choice, but what choice was it really? With all that rage? No choice at all.
Brilliant writing.
This one smacks me hard. Just great, the voice, the images, the tone. Wow.
Susan, Ian, Michelle,
Thank you. I'm really glad you dug it.