I. The Man in the Bowler Hat
Wounded pictures
wait noiselessly in the field tent
of our bathroom,
open windowed,
where powder light hovers as icing dust
particulates filtered
through the white nylon curtain
hanging like a drunk
from the chrome rail, one foot
in the tub: half the shower rings are bust,
their sickle forms
collected by the trap,
clinical waste.
And usually I'm left alone to tend
my patients but today
you want to know,
today you've ventured in, your thoughts
unmasked to ask:
what's that you're painting?
I load my brush with titanium
acrylic: an answer.
II. Destroyed Object
The artist is a poet.
The artist is all ear, eye and heart.
The artist sits alone to rebuild the moments
last
from myriad perspectives.
The artist has a partner.
The artist's partner is also a poet: he sits
alone,
writes his poems in his head
and keeps them there.
III. Cannibal Feast
When I come to suck fresh raspberries'
juice from your hair
pressing the clasp of my mouth's purse
on the oyster of your ear;
when I bring you morsels dripping syrup
from my mother's lips
to tempt the dormant hunger from the tip-
wrecked freezer of your belly,
know the table is set,
the cupboard's empty.
IV. Four Hours of Summer, Hope
It isn't the loss, it isn't the grief,
it's humiliation,
a joke in the worst taste
when your hopes and dreams, your family,
end up in a yellow bag of clinical waste
along with your mistakes.
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Every picture paints a poem. After the painting by Heironymus Bosch, c 1500
Previously published in The Literary Burlesque
Ooh, delicious...
"When I come to suck fresh raspberries'
juice from your hair
pressing the clasp of my mouth's purse
on the oyster of your ear;
when I bring you morsels dripping syrup
from my mother's lips
to tempt the dormant hunger from the tip-
wrecked freezer of your belly,
know the table is set,
the cupboard's empty."
Is there a way to copy paste the painting?
*
Thank you, Roberto!
Cannibal Feast was a sculptural installation by Meret Oppenheim, 1959 - copyright prohibits my scanning the picture I have (Surrealist Art, Sarane Alexandrian, Thames & Hudson, 1995; p227)
The first image of this google search has part of the installation. http://www.google.co.nz/search?q=meret+oppenheim+cannibal+feast&hl=en&qscrl=1&nord=1&rlz=1T4GGHP_en-GBNZ442NZ442&site=webhp&prmd=imvnsbo&source=lnms&tbm=isch&ei=HAwWT_ueGu6iiAfe1alD&sa=X&oi=mode_link&ct=mode&cd=2&ved=0CAwQ_AUoAQ&biw=1233&bih=480
Aw, Rachel. Lovely imagery here. Very understated. Like this a lot.
Love I. Wonderful and III.
Sally, thank you so much.
Lucinda, thank you. I'm really glad you liked it.
Meret Oppenheim!--now we're talking!
Good poem, Rachel.
Thanks, Bill.
These are fabulous, Rachel. Ekphrastic work is often my favorite to read because there are so many level on which to engage the work. Well done!
Thanks so much, David. I'm fond of ekprastic work too - so glad you enjoyed these.
Hmmm. You do clinical waste well!
Hehe - thanks, Michelle :)
Wonderful poem. Great rhythms and form. Big like.*
Hi Sam, thanks so much!