by Con Chapman
In the spring of 1916, Apollinaire was
sitting in a trench near Berry-au-Bac,
reading Mercure de France, to which
he contributed an anecdotal column.
A shell landed near him; he ducked
to cover himself from the blast, then
returned to his paper. It was only
when blood began to drip onto the page
that he realized he'd been hit, his helmet
pierced by shrapnel. Fragments were
removed, but because of his symptoms—
vertigo, depression, paralysis, fatigue—
his skull was trepanned; a hole was bored
into his head with the trephine, to remove
pieces of bone. The operation was a
medical success, but the ghost had fled the
grotto. He ceased to write to his young fiancée,
Madeleine, the daily dispatches from his soul
with which he'd wooed her. His outré
conversation—the motley flag under which
he sailed through the salons—was lowered.
Now, he spoke with circumspection. He
no longer strove to startle, as in his youth.
He wanted to join the Legion of Honor.
He took up with a redhead and settled down
to a contented domestic life. No longer a
poet, he became a censor of newspapers,
like the one he'd been reading with pleasure,
and contributing to from the front lines,
when a German shell hit his brain.
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I'd like to read this without the pictures. I know that's your thing, but still, it would be nice to look at the story by itself. The prose is really good. *
Thanks. Like Apollinaire, I think the medium of the day (in this case Fictionaut on the web) is an end in itself, so I put pictures in to make it appealing to the eye. It's supposed to look like (and be) a poem, blank verse with internal rhymes, which is how stuff often comes out of my un-trepanned skull.
Very fine.
*
(red-head?)
A beautiful restraint.
The red-head was Jacqueline Kolb, whom he called "Ruby."
I really like this.
Though I do think the pictures, in this sort of piece, detract from the cohesiveness.
But I can't see 'em anyway, so what do I know.
:)
red-head or redhead?
I took out the hyphen for you. Now what am I gonna do with it?
*
Don't you hate that? Not the story. That. *
It's funny, that the discussion took this turn this time: I was actually like, "Ooh! I LIKE these!" Usually I just skip 'em, not because I DON'T like the pictures, but because out of something I (regard as) laziness.
*
I like the places your stories take us, Con; these seem unusually apt, like the work of the Surrealists and other visual/image overlays I'm interested in.
As a neo-surrealist once said, "What's reality done for you lately?"