by Rae Bryant
He brings her water and miniature corn muffins, halved open and spread with bright green pepper jelly from a glass jar she's kept all these years. She lengthens her legs down the mattress, sets the four muffin halves side by side on the white cloth napkin that he's unfolded for her, lain over her thighs like a tablecloth.
She's not eaten today.
This is the last of their food. Nothing left in the cabinet or refrigerator or the hiding places neither of them tells each other about. The muffins are necessary now, like the moment when a child knows there are no magical gift givers or tooth fairies or St. Christophers. Only mortals and starvation.
Something pitiful in the way he holds them, as if an offering.
She sets the muffins aside, opens herself, nymph-like, mouth spread and gritty. She pulls the dirty edge of his gray t-shirt up so to show herself to him, spreads herself across the mattress like thin flesh oil over too much canvas. He moves over her, pushes her thicker sections, spreads her more thinly, more evenly so to smooth out the bruises and lines. He can see through her now, understand her better. He falls in love with her anyway.
He calls her Calliope and sings a song for her about swimming in a stream, the deep part where they twine thin hungry legs, tread water, pull back their heads and fall beneath the surface so to kiss long water kisses. They ignore the bruises.
Fill me, my darling
Pour yourself.
He digs a trench for her, forms a mote around her body, rips mattress and blanket and sheets and feather pillows to better pad the nest. He says: we can wait out the winter here in feathers and mattress springs. Then he burrows beneath her, turns his body, settles beneath her.
I want you on top of me forever.
But we haven't any food. We'll waste away.
She lays flat against him, warms her breasts and stomach, pushes her legs and arms against his. Where their skins touch, they grow moist and warm and he imagines they could grow sustenance, a garden between their skins. He tries to pull feathers up and onto her back so to warm her, but they've floated off the bed and onto the floor. They stay this way for days.
Where are the muffins? she says.
They sit stale now, on the bedside table, feathers caked in the hardened green pepper jelly.
Pity, she says, my mother had given it to me. The jelly, I mean. She falls out over him. Should have eaten it while it was still fresh.
11
favs |
1827 views
15 comments |
449 words
All rights reserved. |
First published at >kill author Issue 8, the Nabokov issue. I was really touched to see it reviewed...
“Bryant transforms the man and woman into huddled and hungry animals clinging to one another. But the other half of that mixture, that of hope, is what makes this story stand out in any roomful of great stories” (“Sheldon Lee Compton on Rae Bryant,” >kill author).
“Short and sweetly erotic without going over the top…” (Jared Randall, Sabotage).
I was transfixed by "he imagines they could grow sustenance, a garden between their skins". The idea of touch as the most sustaining characteristic of life gave me much to consider. Your use of offering/acceptance was interesting, as well. I love the way they both forgo offerings in the end, as if even that becomes unneeded. Dense and solid - lots to think about here. Fav, of course.
"He says: we can wait out the winter here in feathers and mattress springs."
This particular line resonated with me deeply. Something about the image of two lovers hibernating like winter bears...
Fav*
had me from here:
She lengthens her legs down the mattress
and just got better from there--
Great imagery -
"Where their skins touch, they grow moist and warm and he imagines they could grow sustenance, a garden between their skins. He tries to pull feathers up and onto her back so to warm her, but they've floated off the bed and onto the floor. They stay this way for days."
Well written. Really like this piece, Rae.
Loved this in kill author, Rae, and was glad to see it here too (I've been a bad Fictionauter as of late).
I'll echo the praise from Sam and Grey. Those lines drew blood.
Wow. Really great visuals and tone that bring out both hope and despair. Nice.
Oh this is gorgeous. And I'd read it before, when it was in kill author. The language is amazing here, Rae.
Thank you, everyone, so much for reading and for your kind comments. So glad you enjoyed.
This is deeply sensual work where the food and bodies merge and the lines get blurred between reality and what possibilities exist
*
Thanks, Susan!
I read this at killauthor, great to see it here, Rae - amazing work! *
Glad you liked it, Julie! Yes, that issue of Kill Author was fantastic. It was an honor to have a piece included among them. That it was the Nabokov issue made it super cool.
This is awesome writing, Rae. I envy and admire your ability to write about sex without being crass or cheap or cheesy. Wow.
Thanks so much, Beate!
"He can see through her now, understand her better. He falls in love with her anyway."
Beautifully done. Really beautifully. *