Mal stood beside his wife on their brown lawn, watching a battered Ford ¾ ton pull away down the lane. Riding high on the toolbox was a big border collie with matted fur and a rumbling growl Mal could still hear. In the bed stood Flash, one of two heeler-cross rescues who'd lived with them all winter while Becky searched for what she called their “forever home.”
Flash's hackles stood brushlike but he kept his head bowed just enough beneath the bigger dog's stare to delay the inevitable fight. Flash, Mal thought approvingly, would pick the time and place.
He couldn't see Flash's brother, the ridiculously misnamed Rowdy, but he could almost feel the timid dog shivering against the tailgate.
Mal stared down at his wife.
“I thought I told you they were only interested in Flash.”
“I -- Rowdy would have been heartbroken. So I explained that they are packmates. They love each other and - and provide each other emotional balance - ” Becky faltered, then added more brightly, “And Spring is for new beginnings.”
“Those are ranch people, Becky --”
“I know they are.”
“-- Who called about herding prospects. You know what that means: It takes a tough dog to withstand a tough life.”
“It's in his blood,” said Becky, but her eyes dropped to her bare toes, pink with cold in the new sandals she'd been wearing all week, even though snow was still in the forecast.
And Mal, who loved what he called his wife's dreaminess, put a heavy arm around her shoulders and pulled her close. At times like this she felt so tiny he could imagine crushing her.
“I b'lieve you're right,” he spoke into her soft hair. “It's in his blood.”
On his way to town the next morning, Mal saw a slim corpse beside the road and realized he'd been half watching for it.
He was a little surprised that the dead dog was lying, unconcealed, on the shoulder. But then he imagined the impassivity with which the rancher would have surveyed Becky's tye-dyed skirt, her long loose hair, the squint-eyed way the man would have listened to her ‘packmate,' her ‘love.' The way the man would have finally drawled, mostly to shut her up, “Lemme get this straight. If I'd like to try the one that's got a pair, I gotta take that one?” He'dve been hooking a thick thumb toward Rowdy's nose, since the rest of the dog cowered behind Becky's skirt.
Mal horsed the truck into park and walked back to the body. He noted that the fleece bandanna Becky had knotted about the dog's neck before hugging him goodbye was gone.
He picked up the small corpse. It was unpleasantly stiff. The legs jutted like sticks and frost sparkled in the soft fur. One side of the head was ruined. Bullet or impact, Mal didn't need to know which. It all came to the same thing.
He put the body in the back of his pickup. A few minutes later, when he saw a dumpster, he stopped to throw it in.
On the way home that evening, he decided, he'd swing by the pound and see about a new rescue for Becky and her ‘forever home' project. Something to capture her attention and stop her asking, as she had twice the night before, if Mal really thought Rowdy would be ok. Something small and pretty and useless.
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Hey folks, sure would love feedback, particularly on the last sentence, which is either unnecessary or critical but not right yet, and I can't tell which.
Great writing and I like the characters and story line very much, tho I'm not sure how I feel about the dogs being used to "capture her attention" when something like this has happened. It's almost a case of she means well, but reality doesn't work that way. Do you know what I mean?
I agree with Susan about the characters and the story. And I have some problem with the ending, too. They don't seem like people who would be distracted by "something small and pretty and useless," or at least not so soon. Or if that doesn't ring true to you, then maybe Mal's desire to distract Becky in this way could be unconscious?
This line really stands out to me "At times like this she felt so tiny he could imagine crushing her." This is to say I love the way it is both protective and threatening. Is it possible to get some of that tension into the ending?
I really like this, Jo. Great characters, and it unfolds smoothly. Lines like the one Jane mentioned give the story real intimacy too. I don't think you need to tie it up so neatly at the end. Maybe just delete the last graph and finish with "A few minutes later,...", that we're left guessing whether Mal tells Becky or not. Just a thought.
My take on this is that it's a much darker and more complicated story than it first appears.Both Mal and Becky are using the dogs in a way that is not in the dogs'best interest, not at all.Why is that? I would like to know. The final line,as it stands, hints at something. AS does the diappearance of the bandana. I'd like to know a lot more about this story.
I like Tina's suggestion of scrapping the last paragraph. I was surprised that he'd pick the dog up and throw it into a dumpster, but then that might just hint at this character in ways that the reader should be left guessing.