by JANEY SMITH
Frederick says something like “blow job,” and I just sit
there watching TV. He storms out of the room, taking
heavy steps.
He disappears into the hallway. When he
disappears like this, it makes me shiver, gives me a kind
of thrill, and makes me think of Erin, and the furniture in
my bedroom, which still smells like her.
I take some of Erin's Zoloft, which she gave me on
our first date and two minutes later I am rubbing my pussy
in tiny, concentrated circles on my Ikea Bernhard easy
chair. I listen to the shower and keep rubbing.
I run into Erin at Ikea in Emeryville and I almost
don't know what to say. She looks so different, so small
and gray, so frail, weakened by experiences that seem,
somehow, to be beyond her control. As if life is now living
without her. As if that wonderful moan that once lived
inside her has become mute, strangled into an odd
submission that only shopping can cure.
When she sees me, I say “hello.” There seems to be
this flickering, stinging fire in her eyes that shoots straight
through me and that belies her anorexia, her fragile
body's sad deterioration.
We approach the same register, siphoned off into
the same line by a reflexive longing undercut by the
exhaustion of a massive three day sale. I feel myself go
forward, and she seems to get smaller as she approaches
the cashier, who swipes her card and then manually
punches in the total for the four Stockholm easy chairs.
“What do you think?” she asks.
“I like your faux furniture,” I say casually, trying to
avoid looking at her face, which has haunted and
diminished me since our break-up.
There is a long silence interrupted by a group of
children doing things.
“Can I get you some food?” She is standing off to
the side, listening to my silence, caressing the
moan—with her stare—that is inside me, helping it
emerge, flighted, ripping. I unload my new Sony widescreen plasma TV.
“Okay.”
We walk over to a long line of over-sized shopping c
arts, and say nothing, our silence nearly palpable.
For the next few hours, we eat tapioca pudding at
the Taco Bell inside the Emeryville Ikea. Some of the
pudding gets on my nose and I freeze. Erin smiles, and
just ignores it.
But I can't ignore it. All this rubbing makes me feel
sad, or empty, like I am just all this meat, or a robot. Or
maybe, like, I am dead or something. But, that would still
mean that I am just all this meat, or a robot. I come to
realize that I can't be dead, though,because my pussy's
sore.
So, I keep rubbing it.
I slap my face for two minutes and think of Frederick
dressed in my tight gray slacks looking like a lesbian, like
Erin. I imagine going down on him, but instead of his cock
(also from Ikea), he spreads his legs to reveal an inverted
seashell. I stick my tongue in the inverted seashell and a
small bubble splits in two. I don't know what these two
smaller bubbles that form in the shell are, but I dream of
Erin and me, and these thoughts make me feel calm.
I finger my toes and sniff my finger. It stinks. I try
licking the tapioca off my nose, but I can hardly get my
tongue out of my mouth.
I imagine Gene Simmons licking a twelve year old
girl that looks like Erin dressed in a dog collar and leash.
Gene Simmons' freakishly long tongue makes the Erin girl
faint. This is the only way Gene Simmons can get Erin to
go down on him. It's funny but Erin looks so happy
sucking Gene Simmons.
The tapioca stays on my nose.
While Frederick takes a shower, washes his hair, I
call Erin. Nobody answers. I try again. Still no answer. My
pussy's swollen, hard to open, but inside it's empty.
Alone, again, my neediness succumbs to despair.
Frederick comes in, takes the remote, and watches TV
with it.
I sift through an Ikea catalogue, naked, ignored. I
watch Frederick's fingers tap the buttons on the remote,
the TV screen blinking open, closed, open, closed. I cross
my legs. Frederick puts his cock back into his pants, he
wipes some muck off my nose, disappears into the hall. I
pick up the phone, and pause.
It's hard trying to give flowers to no one.
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This story first appeared in PANK online January, 2010. PANK is edited by M. Bartley Seigel and Roxane Gay.