by Jack Nelson
There's the odd haired place in the shadow of the corner
where the time goes, un-spilt, mischievous, like a block of agar
glistening at the folly of ingenuity animating our lives.
If only it were an object de arte, a symbol imbued with meaning
unsettling our freighted conscience - a face, a phrase, a figurine;
instead, filigrees of distraction buzz around daring us to touch it.
Echoes of Ecclesiastes murmur in the shadow of the corner
where grout crumbles and the time goes, liminal, stillborn,
comforting us with its masked and blameless unknowing,
“More weighty than wisdom or wealth is a little folly ...
there will be no work, no reason, nor knowledge,
nor wisdom in the nether world where you are going.”
When I will become that which regret crystalizes?
a precipitate drawn of breath and distraction
from a life's sling of pretense besotted
by an affinity for drink, deflection and heraldry.
Utter waste — the crest of one sad eye and old shoes
lodged in the shadow of the corner where time goes
hunched and explosive, a muscled, wrinkled diadem —
livid, and by turns, questionable, histrionic and implacable
like Giacometti's smile, El Greco's distortion, Richter's blur
Bacon's insistence and Richard Prince's stubborn riffs
emphatic forms of greatness re-lived with a familial pretense
If I could be (in) them, they would be my own recompense.
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Covid seclusion, pretty common theme. Virulence, human separation and the corollaries of urgency and distraction ... falling back on an aesthetic of things one likes for a sense of permanence - a bulwark against uncertainty.
Comfort before the worms.
Tx. Matthew
Especially like:
"and by turns, questionable, histrionic and implacable
like Giacometti's smile, El Greco's distortion, Richter's blur
Bacon's insistence and Richard Prince's stubborn riffs"
The introspective glance bears its weight of alone-ness within the artistry by which we keep ourselves in breath during viseral threat; now perhaps, more than ever.
A Very interesting write.