"Don't throw your shitty first drafts on a bonfire, for chrissakes," my sister crackles into my ear via sat phone, ten states away. She lives at some godawful altitude where cell phones don't work. Suddenly, she has decided that my manuscripts might actually be worth something, someday, and she is calling me all in a lather.
This is the sister who last read a composition of mine when I was in fifth grade and nothing since, the sister who once told me that poetry and fiction were for people who couldn't cut it in the real world -- unh-hunh, that sister -- and now she wants me to box up all the early drafts of my work for posterity.
"We could auction them off at Christie's for a good price, something to leave your family since" and here she can't resist getting in a dig "you never saw fit to grow up and buy any life insurance or investments."
I cannot begin to list all the ways this conversation can go downhill from here, so I hang up the phone quietly and turn my eyes toward the yard where the fire pit is waiting. I'm old school when it comes to editing. I like to read a draft on paper and cover it in red marks, like stab wounds. These pages eventually end up in my Bonfire of Catharsis, (which is not to be confused with my Shrine of Self Pity.)
With my sister's words still buzzing around in my head like angry deer flies, I carefully build a teepee shape out of tinder.
"Do I hear a hundred, a hundred, a hundred?" my inner auctioneer starts chanting. I move on to stack dry wood the thickness of my wrist as I chant, "Do I hear two, two, two, do I hear three?" and erect a larger teepee of split logs above that, chanting, "a thousand, a thousand for this fine manuscript come a thousand. Two thousand thank you very much to the lady in the back with three thousand for a full short story, am I bid four-four-four.."
I set a match to the kindling and feed in balled up pages, hearing the crackle and pop. Bad first drafts vaporize and drift upward as steam or smoke. Words that were leaden on the page -- all my bad prose and dull plots -- go airborne. It is a kinder fate than the shredder and far less embarassing than having someone bid on them at some future date and read them aloud at a dinner party.
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'When you die I will auction off your rough drafts at Christie's,' someone said to me recently. I thought, 'The nerve of her, thinking she'll outlive me!'
"you never saw fit to grow up and buy any life insurance or investments." Well, there you go! Love the sisterly dynamic and dark humor here.*
Bonfire of Catharsis. Perfect.
I actually have no siblings, which gives me license to make them up and make them mean. That way I look like the nice girl.
Amen. Here's to a peaceful death for those awful first drafts. Maybe some of the final drafts should get the torch, too? I've got a stack of 'em I can send you. *
That was a wonderful little ceremony. Thank you.
"I set a match to the kindling and feed in balled up pages, hearing the crackle and pop. Bad first drafts vaporize and drift upward as steam or smoke. Words that were leaden on the page -- all my bad prose and dull plots -- go airborne."
Good writing.
As we know from other writer's estates, whatever you don't want public, best to burn yourself. XD
Mine go into the computer ether. I love reading revisions and marginalia from great writers. I bought Eliot's THE WASTELAND with all of Vivian and Pound's editorial comments. Computers have pretty much wiped out any future for research. I suppose I don't have to worry about that with MY writing...*
Gita. I love this. I have two sisters. Sometimes the words of siblings just cut so deeply. This piece is deliciously cathartic.
Fave.