by David Ackley
Your mother's letter is on the green tabletop before you in the tent with the buzzing and hissing pressure lamp, bright white light that seems to buzz and hiss on the walls of the tent. When the generators are down, the surgeons can operate by it, it's that bright and white. But it's hard on the eyes and makes your mind jump and twitch.
The pen point sits motionless on the paper refusing to make a word that will continue your reply to her, what to say. She's written about baked beans and codcakes on Friday night, a radio show with Bob Hope— “ He made Dad laugh, not always easy to do!”—church lunch where she was helped by a young lady named Alice Converse “who says hello though she doesn't think you'll remember her—(you don't though you think you should remember being remembered by anyone but your Mother and sisters).” You could just say to say hello and move the pen that way but it's still frozen, leaking a growing black dot.
The guns are well behind the tent, so the intermittent boom doesn't vibrate the walls. They fire at random really, just to throw the Germans off when they might expect the steady one then one then one of bracketing a target, then the salvos of Fire for Effect. Just a chance round now and then into the darkness, maybe catch someone crawling out of his hole to take a leak against a tree. Or just to keep them jumpy. And they did the same.
First the boom in the distance behind the tent and then the whoosh, whoosh as it rotates overhead toward the target, miles off, then silence until another boom in the distance. Like many other things it could kill you too: A bad fuse and you can get a short round that blows, right out of the tube, like once in the battalion: you'd pictured the orange ball just feet ahead of the barrel mouth, puffs in the dust around the gun crews' boots; the men frozen in place just before they were cut down. When you saw them two had their boots and pants shredded, one had blood leaking from his ears and couldn't hear his own moaning,
Whoops.
That was the problem with the letter, you understood. All those things were your topic. You owed it, your mother would worry. You had to write. You couldn't write, your hand resisted, refused to move, your head couldn't think words.
Boom. Silence. Whoosh, whoosh, whoosh. Silence. You wait for the next one. Boom.
Not that you were afraid, in the usual sense. You'd assisted at amputation and debriding, smelled human meat and sepsis, stuck your bloody hands in some of the worst. Sometimes dead looked like mere relief, like a decent sleep without the buzzing white incandescent light. Just dark and silence. Nothing to fear.
It wasn't that. You feared writing the words, sealing the envelope, shipping it off to them alive. You hand it to the mail clerk when he comes around and as soon as he's gone you're dead.
Fine.
They send a telegram. It gets there before your letter. They weep and so on, you've sent the pain on to them, the pain that should have been held back here. Not to be helped, they've caught it now like cholera , those people you love, living in pain you sent them.
Maybe it settles after a couple weeks to something dull, but here comes your letter to rip off the scab, with a little white ball of incandescent living war inside.
They read it over and over as if you're still alive: you're killing them. After a while they take it up to your old room and set it on your desk with the humidor of your walnut pipes. It burns quietly there for a while and then ignites the curtains, burning out your old room, then one by one all their rooms and them, with its hot little flame, white, inextinguishable, never to be quenched.
Like white phosphorus it burns through everyone and everything it touches, the house, the town, out into the woods where you used to hunt, down the trunks of the trees into the ground, burning out the roots, passing underground one to the next, now a quiet invisible smolder passed along through space and time, burning down the years, until someone unsuspecting strolls there and punches with a step down through topsoil into the hollow heat like into a slow fissure of molten magma, and then.
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Another piece of my memoir of family, home, war.
This story has no tags.
Searing.
Lest we forget . . .
Thanks indeed, Gary and Amantine.
Best I've read in a month or more.
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Thanks once again, James. Again I appreciate your informed eye.
What an amazing piece of truth. "Like white phosphorus it burns through everyone and everything it touches" *
Lovely of you to read and comment on this Beate. Part the purpose of this piece is to exorcise the influence of all things to do with war, which unfortunately requires that I look at it face-on. I know you abhor war as much as I do and therefore appreciate your reading that much more. Thanks!
This is so very good, as is everything of this memoir that I've read here. Second person voice, skillful use of the short sentence to draw the reader inside the narrator's mind, the memorable way the final sentence ends - all fine techniques to make us feel what is being said.
I thank you once more, Eamon. Since this is a WIP it can feel sometimes like a bridge suspended from one end. Your comments help me think there's an other side.