you, waiting for the right winds with the
right front teeth to finish the job. Every story
is torn apart, at last, at least as soon as
you give over your love. Why do we do
it, retell the fable, rebuild the myth, restart
the argument, even when the days of hardly laughing
together again are to be thrown completely into the
singeing fire's falling down cave-mouth and lost in the dirt and ashes?
The trees know something that is too sad
to remember. And if I go deep enough,
I know that same sorrow, too. Pages, like
the bygone sails of great ships, sailing in
the cupped hands of giant clouds, are not fooled
by any calm moment between sea and sky.
There is nothing more important than seizing a
blank, beach-like break in the paragraphs of our
lonely lives to sit down and make a
little lively music, laying our heads back against
all the billions of stars and dreaming of wildflowers,
something better somewhere. It's the only thing that
keeps the glue stuck into the seams of
the real and the silent potential of everything
else to go on, but it's all inside
your head. Still I'll whistle a funny little
tune to myself, as if the mountains were
not so obviously gathering each morning's dew for a crystalized
beam-fed lover's lips to smile down upon us with. Every man
does the same dance, because he is either
killed or swept away from the doorstep to
another eternity's bargaining bite. Even if he says
he knows not how he will become the
last dancer, who alone can perform that language
of the one space where he himself has landed.
Little red dots turn out to be colonies
of starfish, their open eyes those of dragon constellations.