by Bill Yarrow
I am accosted by Jean Cocteau
who counsels me:
read Marinetti
finish the Brandenburg poem
understand The Gas Heart
memorize the Fifteen Propositions of God
take seriously the question what
have I got to lose
the goat in my throat
companionless runs wild
I try to hesitate
but I traverse the walls
this among others:
we think in eternity
but move slowly through time
this among others:
not A not B
not this not that
each is each other
all is all other
I am the several subdivisions
of my fellow man
living in
Dubuque
Framingham
Sonoma
I accept cowardice but only in the light of heroism. I accept the fantastic. I accept the prophetic. I accept the lunatic. Never fantasy. Never lunacy. Nyet to the prophets. My mind rocks back and forth upon itself. One day, the metal will split.
he sleeps
as sentry to his skin: the sun, the water, sand, the wind.
his tongues (2 friends, one grim, one trim)
roll out sticky,
but neat as a pin.
in his dreams
a butterfly
enters the hole
in the fat boy's eye.
He shudders.
The rope dancer accompanies herself with her shadows.
Balzac: sometimes it seems to me
as if my brain were on fire
and I were fated to die
on the ruins of my mind.
no Brandenburg concertos
no whispers no wind
all's ushered out
then it begins
a descent of rain
a white wind gusts
the place abounds
in Icarus
Baudelaire's aspiration: "absolute rest and continuous night"
let wisdom
rot in prison—
(my cowardice speaks out of turn)
if only I could ease (in the petty world
of Kings)
the placid tyranny
of natural things
and when the man went back again
the moon had doffed
its diadem.
In the dimness of the cafe, the manager is arranging
the tables and chairs, the ashtrays, the siphons of
soda water. It is six in the morning.
The falcon is on his wrist.
The weather is on his wing.
The sky is simply white.
The rain begins
Cocteau screams
(The rain is no terrible epitaph)
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This poem appeared in Mantis: A Journal of Poetry, Criticism and Translation in 2006
This poem was written in 1973 and revised over the next thirty years until it finally got published.
The poem appears in Pointed Sentences (BlazeVOX, 2011).
As mysterious, as allusive, as unsettling as it is, one could not imagine this poem other than it is: it knows what it knows. This is a real poem, you're a real poet.
steller--
its own lit constellation
great form, a mess of images that burn brightly, in afterreading--
On "Magritte" I didn't have words just a *; here, too, I don't want to make a noise near this poem. *
Exactly what Ann said.
*
some wonderful lines here"take seriously the line what have I got to lose" a line to live by. wonderful feel to this poem, elusive, tense, atmospheric.
Great writing, Bill. Excellent form.
this among others:
blows me away.
Stunning!
..in his dreams
(My mind rocks back and forth upon itself.)
a butterfly
enters the hole
in the fat boy's eye. Such original thought and direction presented here. Beautiful stuff.
Gosh.
And *
Bill, this is a great poem
*
Great poem. I'm going to have to read it several times to soak it all up.
the form
the imagery
I'm taken in by it all
Peace ~ Rene
*lyric soul...masterstroke!