by strannikov
in the neighborhood of Vesuvius
for Herculaneum as for Pompeii
the blast announced: “too late to flee”.
all public streets each private space
all sites decreed—no lives survive.
—yet frantic to outrun the racing sky
useless curses hurled 'pon falling down
moments colliding cooking frozen steps
paces cease as hot grey mortar swims
few hurries left to be in—
carts horses mules without speed
with no escapes no paths away
shores achoke while being pushed offshore
boats ablaze float off to sink
as ash displaces every air
no space for bugs nor birds to fly.
racing only out of life this day
concealing childs from ashen airs
bricks lie beneath thick mortared rain
grey ash the whisper of the world
all silences are swallowed gone.
clouds had to be inhaled this day
no place was given else to breathe:
faithful dogs howl and howl no more
rats perish, cats slink off to die
each curled into enduring sleep
in each grey corner hidden deep
relentless storms of ash fell grey
rinsing floors caking tiles silencing all steps.
moans of final prayers subside: hearing gods
listen as ashes wash over those towns
hear floods of ash wash through those towns
into submerged sealed silenced sleeps.
crowds commuting to
I recall hearing hundreds sprawl
across the terminal's paved floors
most for the escalators bound
(career-bound for cabs, at least some few)
most a scurry of legs like me
legs quick as the wheels of the trains
that had traveled us there, that far.
some dasht to one side first to shop:
might drop off some shoes for repair
or browse newspaper racks for truth
(preferred reads for coffees at desks)
bagels doughnuts cinnamon buns
voices asleep in coffee queues.
I saw over twelve hundred times
morning commutes across five years
regularly keen to see them
more faces an hour than back home
(where not one minute's faces lived,
nor to be seen in just one day)—
hundreds of faces, thousands, too,
varieties of faces read
for features expressions displayed
for what their histories could tell.
through twenty seasons faces marcht—
not as battalions, regiments
aligned in step, alike in garb—
but pedestrian, none the less.
their faces moved as fast as legs
through any weather any day
(Mondays through Fridays, holidays off)
with and without umbrellas in hand
with and without overcoats and hats
depending on the season and day,
no scarves in summer, gloved winter hands.
—and the god presiding over all
a four-faced, double-Janused clock
its equal seconds clickt away
ticking us our steps and breaths
timing us to traffic and to trains
chronicling moments of blurring sight
circling over chattered talk clattered steps—
but not naming once how late the day.
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Two pieces devoted to human locomotion and mobility.
This story has no tags.
For soundtrack as I'm reading the first part - Pink Floyd & David Gilmour's soaring Echorec in the most unlikely of spots in the world.
"carts horses mules without speed
with no escapes no paths away
shores achoke while being pushed offshore"
- and I'm thinking: time buries us all.
The imagery of "in the neighborhood of Vesuvius" is beautiful - brooding and eerie. The piece captures the quiet of after - perhaps of all afters: "all silences are swallowed gone". This piece resonates with threads (for me) of my favorite Dickinson poem, 601:
"The Solemn—Torrid—Symbol—
The lips that never lie—
Whose hissing Corals part—and shut—
And Cities—ooze away—"
Again the silence. What a closing line you have for that section: "into submerged sealed silenced sleep".
Wow to that.
And then the flick of switch - "crowds commuting to" with the people also sprawled.
The gods in both. The ticking, the traffic, trains, the blur of lights. The day is late.
Good harmonies between the two poems / parts / sections.
*
Pompeii always has my attention. Provacative piece, Edward.
Lovely work.
Sam: grazie, grazie, and grazie.
I was concerned about abusing sibilants in the last line of "Vesuvius"--glad to hear their accumulation is not objectionable.
The contrasts (death/life, ancient/contemporary) kept these two pieces together.
Many thanks again as ever.
Kitty B.: thank you, thank you, and thank you. Agreed: Pompeii and the event of Vesuvius remain potent to the imagination. Grazie again!
Gary: thank you, thank you, and thank you, here and as ever.