Most times a vertical word balloon floats before him. The balloon looks like a distended variant of his tongue made from white sausage or maybe blank paper in the space on which he is drawn. Words crowd into it like he's an 18th century cartoon. They tumble. They jostle and somersault, a roil & boil that enacts the confinement of the space they're in.
He cannot see the words directly, only from below or at an angle. Mostly he reads their shadows.
Words flash and disappear even when he is not thinking of anything. He watches and wonders whether they obey the whims of another.
Sometimes he tries experiments. He gathers himself up and says peculiar sentences.
“There is a green rectangle. There is an interior frame of white lines.”
When he does, versions of each flash shadows around him. It is as if he moves through a box that is normally invisible because it is continuously present. The shadows of words reveal the walls of the box. He wonders about this information, whether it is better to know or not to.
When he stops saying sentences the flashing resumes its scatter.
Other times he wonders about the conventions that govern word balloons. He thinks: Maybe in the 18th century there wasn't much room so they had to be long and thin and slipped in between features. Or maybe tiny stories once told secrets and secrets had to be written on strips of paper that could be spooled up and hidden in the quill of a pen.
At times from the bottom of the balloon he sees a thread. Each one appears to run down his throat. He bites down on it. If he bites down long enough the word balloon disappears. Every time he relaxes they come back.
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this is what can happen when you look for too long at 18th century cartoons.
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Interesting images here. I can see the surreal cartoonish events and yet, they feel dark and moody and not whimsical at all. It is the mood or tone that leaves my senses raw, in a questioning way - which is a good thing. I loved the part about secrets scrolled up into the quill - great visual.
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thanks paula for the read and the fav. the idea for this came from a dream. there, i think the word balloon had become material and was somehow linked to a broad range of cognitive processing. so the word-shadows starting splitting into conscious-unconscious, which then turned back onto character inside a frame thinking about whether there is an outside-the-frame at all first, and of there is, whether there is Someone Out There second (which explains the unconscious activity)...
from there somehow things started sliding toward the platonic cave allegory.
i just followed the thread of the dream.
Wonderfully written. I love the concept and this character.
thanks for reading and commenting, susan.
Catching up on your work. Good stuff all.