Together they explore availabilities: of scents at the hairline along the neck, soft terrains and pathways; of symmetries that link the descent of a hand with the arching of a back and hitches in breath with a whispered “be discrete this is a public place.”
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Another element in the series of event particles. When it's presented as a series (of cards) the title won't appear over and over (though it could).
I'm interested in the range of stories that you can make as a function of how you order the particles and how different they are one from the other, even as they use the same material. There's something about repetition to be learned from this process.
It's also becoming a series that works with bodies and desire to make the projections (narratives) more complex or dense. People may be inclined to fill in more material across sexuality, if the ways such things seem to go in 4-space are any indication.
Assuming they work as texts, of course.
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Lovely prose, especially the 'hitches in breath'. I'm intrigued by the notion of a bunch of these rearranged, like sorting in an excel spreadsheet. Peace... *
Nice job with this piece. Good imagery in such a compact space.