31.
Traces of frozen waves undulate fossilized plants and birds from the Matisse period: the songs the birds once sang; the dotted lines that map their extensions; the tiny holes that vanish into the space between here and there.
The figure gathers the elements and rolls them between his fingers until they form a ball. Many hours to make a brick: many bricks to make a curve.
The sound of a small aircraft trails through the air again, a play of disappearances that spreads through the solitude of a man spinning over canyons of light, the rattle and shake of the tilt-a-whirl, the barkers and passing streams of cotton candy girls and each time Yves Klein I fall with it.
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Yves Klein: "Leap into the Void":
http://dailyserving.com/wp-content/uploads/2010/12/leap-into-the-void-yves-klein.jpg
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unique voice = good.*
lovely
*
This series is like nothing else I've read. Fully original and powerful as Cornell's magic boxes- the closest equivalent I can think of.
thanks very much for having a look.
comparing these pieces to cornell boxes is high praise indeed, gary. taking it as an idea, thinking about it...
"Many hours to make a brick: many bricks to make a curve."
Especially connected to 32. Enjoyed both. *