by Chad Smith
He was a quiet man Greasy hair parted off kilter, pale flakey skin Mustard yellow suit jacket, brown polyester pants My father stood and talked to him before the service I sat and stared from the church pew, oddly fascinated Back then my parents had Quite the cast of characters for friends My father gave him a dollar The man reached into a box and pulled out The new issue of his recently completed magazine Created and self published by the man Goldenrod paper cover folded in half Staple on the spine holding it together Probably thirty typed and xeroxed pages My father thanked him, thumbed through the pages Too young to stay interested for long in the words I was reading My father said the man was very intelligent and Most of his writing was hard to understand Religious ruminations, theological theories Also numbers and equations with Some conspiracy thrown in for good measure I thought each issue of the little pamphlet was amazing Yesterday puzzling over my own manuscript Papers strewn everywhere working on the correct order Scratching my unshaven chin Wearing my coffee and mustard stained white tee shirt, Army green sweat pants two days late for the laundry Suddenly I remember the man and burst out, “My god! This is what it feels like to be him!” I have become someone's weird uncle
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oldie but goodie. Carlos Del Monte will be making appearances in my new work
Ha! Loved it!
It's a scary-thin line, eh?
Read enough lit bios and you realize just how incredibly odd/off/wacko/tetched-in-the-haid some of our best writers truly were (and sincerely believed to be by their contemporaries).
The certifiably crazy folks who write, however, probably have more stick-to-it-ness, determination, etc., than the "popular kids" who depend on networking, ass-kissing and the "I'll blurb yours if you blurb mine" mentality to "make it".
They just happen to be a bit crazier than is ultimately useful...
Thanks Matt!