He orders it on his own, so you're off the hook, sorta, but not really, because with the intensity of that cake, and well, this particular guy in his nifty white shirt and dark jacket, there's no way something is not going to happen, when the waitress puts the dessert down in front of him, and must be there are some forks for you and that other guy whatsis, but everyone's busy watching as the new owner of the Death by Chocolate spreads his hands above the table — for the silence, for the spell — and at the same time he leans slightly forward, and compensates for the lowering of his voice by the widening of these oracle blue orbacles, to get across that this is serious business.
"What if," he says slowly in this flat midwestern voice, still embracing the aura of the death chocolate with his hands, fork waving between index and middle as might a casual wand, "this is the kind of cake..." (here he pauses, making sure you're getting it), "that the morrre (drawing the word out) you eat of it.... (pause, pause...), "the morrre (he gestures outward) you get (here he draws himself toward the table) small," he finishes with a whisper, hands flat on the table now, fixing you with his eyes, daring anyone to breathe. And because this guy is David Lynch, you don't. Already tongue-tied and spastic kneed before the magic, thanks very much. No, don't breathe, but because you look at him, only a fractured sidelong glance: just as you very well knew from the absolute beginning of this tale.
He merely takes his fork and digs in while you, of course — yes — just as the chocolate said to do.
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Please see this story at Blue Fifth Review: Blue Five Notebook Series Spring Quarterly – Ekphrastic / Film (May 2012 / 12.10)
http://bluefifthreview.wordpress.com/2012/05/31/spring-quarterly-ekphrastic-film-may-2012-12-10/
Thanks to the lovely Michelle Elvy and Sam Rasnake.
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"And because this guy is David Lynch, you don't. Already tongue-tied and spastic kneed before the magic, thanks very much."
classic, funny and sad, neurotic, timely, lovely death by adoration.
wonderfully paced and the voice patterns in the penultimate paragraph are brilliant. great change of POV - works well for me. i like the mad energy of this piece. well, lynch, there you have it.
"No, don't breathe, but because you look at him, only a fractured sidelong glance: just as you very well knew from the absolute beginning of this tale." wonderful!
the way this is written - it could be death by marmite and it would be palatable. Even haggis. What a twirl of a fork! Conceptually and in execution. Lynch better "not look back, caus somebody's gainin" - you!
Seriously thankful, Meg, Marcus, and Walter. You three – I am heartened. To quote David Lynch: Wow. (Get the O-ness of the Lynchlips extended in ow.)