Vignette as Meditation on a Painting (In the Outskirts 1, by Michelle Manley)
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note 1-The following writing piece is one of two vignettes that were inspired by the work of the painter Michelle Manley. Though not involved in art, certain elements in this artists renditions caught my attention. There is something beyond the naturally obvious talent of the artist. I would challenge that though nature and natural forces are ‘deep’ subjects in themselves, there is an extra layer or layers in her shading, coloring, lines, and combination of all three. This meta layer or subtext may be intentional or unintentional, but it felt apparent. What waits in the subtext I am not certain, but maybe that is why the work presented like it had a hidden carrying capacity. Her work felt overt and pronounced, but not gauche. Confident and a bit mystical, but not out of reach or selfish. The vignettes are not meant to describe the paintings per se (that would be a form of criticism, however favourable, and I am not a critic one way or the other), but rather to jump off from the paintings. Narratives that go where the lines and contouring tell them to. Prose poetry ‘gasolined,’ to coin a word, by art.
Brian Michael Barbeito March 03 2013, On Canada
note 2- link to the artist's painting: http://www.michellemanley.com/06_ito1_painting.htm
Amazing painting. That and the story remind me of The Wizard of Oz. FV*
you create an amazing sense of being inside the painting. I decided to read the piece before looking at the painting, and then re-reading it after I had a look, and came up with two completely different readings!
thanks Gloria!
thanks Paul!