by A. Pseudonym
Apocalyptica
1.
the portent holds you while
you try for solace in the bath
anticipating the opened mouth
the one that cannot close after
and there is a knotting inside
of joints and threads poised
so delicately in the waiting
2.
that chlorine blue in the mall
(a same place packed or shuttered)
remains, like a habit, like an instinct,
the color of what is there behind
the looking and the following quiet,
frantic like the space inside
an empty box sealed shut
3.
cloud of what in your water
sound like wind but not quite
ulterior tones on your voice
the black belly may have
the red hourglass but how
will you find out, and will it
matter, when the widow bites
4.
dead hot summer after noon
on a swing in a yard alone
where no one will forget the sky with me
the ropes yawn when strained
so I twist them to hear something
but the jet will take forever
and it is louder
5.
where is the woman driving where no cars are
where nothing moves in the dark where trees are
where the rose in the sky where cities are is gone
to where light reflected goes when what shines is gone
to where the road turns to rock in the flatland when what
has happened has happened to her?
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Grand, just grand.
Two favorite lines for use of the senses and repetition, respectively:
"the ropes yawn when strained"
and...
"...when what has happened has happened to her?"
Gracias, Sheldon.