A question for everyone: what are some your favorite books on writing? They don't necessarily have to be about the craft of writing, but I'm curious to see what books helped you all the most in your journey as wordsmiths.
From Charles Baxter, the best I've ever read on the subject of writing:
http://www.amazon.com/The-Art-Subtext-Beyond-Plot/dp/1555974732
MYSTERY AND MANNERS by Flannery O'Connor
The Paris Review Interviews, available online.
THE ELEMENTS OF STYLE, Strunk and White. ( Sorry to be so obvious, but there it is.)
MODERN ENGLISH USAGE,Fowler. My edition is copyright 1946 and still rides pretty well.
The Letters of Anton Chekhov
WRITING DEGREE ZERO, Roland Barthes
For me, the best books are the ones to which I keep returning:
Writing Down the Bones by Natalie Goldberg
Fast Fiction: Creating Fiction in Five Minutes by Roberta Allen
Word Work: Surviving and Thriving as a Writer by Bruce Holland Rogers
Marcus Speh turned me on to Dorothea Brande's Becoming a Writer.
Love these lists. Always find more to buy.
Lately I've used these:
Field Guide to Writing Flash Fiction, Tara Masih, ed.
A Pocket Guide to Flash Fiction, Randall Brown
Self-editing for Fiction Writers, Browne and King
Sisson's Synonyms, An Unabridged Synonym and Related-Terms Locator
Handbook of Poetic Forms by Ron Padgett
The Poetry Home Repair Manual by Ted Kooser
A Poetry Handbook by Mary Oliver
The Practice of Poetry, edited by Robin Behn and Chase Twitchell
Strunk and White Elements of Style
Eats, Shoots & Leaves by Lynne Truss
The Transitive Vampire by Karen Elizabeth Gordon
Any short story by Flannery O'Connor, Raymond Carver, or Ernest Hemingway
Oh, where to start?
Elements of Style
On Writing/ Stephen King
Bird by Bird/ Anne Lamott
On Writing Well/ William Zinsser
The Forest for the Trees/ Betsy Lerner
The Emotion Thesaurus: A Writer's Guide to Character Expression/ Angela Ackerman
The Secret Miracle, The Novelist's Handbook/ edited by Danial Alarcon
Wonderbook: The Illustrated Guide to Creating Imaginative Fiction/ Jeff VanderMeer (You won't believe how good this book is. You have to see it to believe it. Great for any writer, no matter what kind of fiction you're writing. You can thank me later.)
@Sandy Just got Wonderbookfrom a pal who had an extra copy. I haven't really gotten deep into it yet, but the book itself is gorgeous.
@ Frankie. It's one of a kind, for sure :-)
Agree with Christian, I always go to Writing Down the Bones by Natalie Goldberg.
Another go-to for me is Poemcrazy by Susan G. Wooldridge
I'm definitely buying Wonderbook. It looks wonderful.
Tintin and the Secret of Literature by Tom McCarthy
The Delighted States by Adam Thirlwell
The Counterfeiters by Hugh Kenner
City of Words Tony Tanner
I don't use as many craft books; I just generally take hints from other writers and read the things that inspire me.
With that being said:
Stuff that Influenced my creative writing:
The Naive and Sentimental Novelist--Orhan Pamuk
Paradise Lost, especially Book I
Anything by Raymond Carver, Charles Bukowski or Amanda Auchter
Stuff that Influenced my criticism:
A Manual for Writers on Research Papers-Kate L. Turabian
Cruel Optimism--Lauren Berlant
Anything by Foucault or Barthes
LOVE THESE LISTS! (ABOVE)
Not a book _about_ writing but her writing, that I desire -- for now this bit by Mavis Gallant:
"I still do not know what impels anyone sound of mind to leave dry land and spend a lifetime describing people who do not exist. If it is child's play, an extension of make believe -- something one is frequently assured by people who write about writing -- how to account for the overriding wish to do that, just that, only that, and consider it as rational an occupation as riding a bicycle over the Alps?"
--from the Introduction to Margaret Atwood's _Negotiating With the Dead: A Writer on Writing_ (Cambridge UP, 2002), the Empson Lectures, that includes these lecture chapters:
1 Orientation: Who do you think you are? (What is "a writer," and how did I become one?)
2 Duplicity: The jekyll hand, the hyde hand, and the slippery double (Why there are always two)
3 Dedication: The Great God Pen (Apollo vs. Mammon: at whose altar should the writer worship?)
4 Temptation: Prospero, the Wizard of Oz, Mephisto & Co. (Who waves the wand, pulls the strings, or signs the Devil's book?)
5 Communion: Nobody to Nobody (The eternal triangle: the writer, the reader, and the book as go-between)
6 Descent: Negotiating with the dead (Who makes the trip to the Underworld, and why?)
Notes
Bibliography
Acknowledgments
Index
Many epigraphs enclosed therein, including this from Henry James, "The Lesson of the Master":
"I refer to the mercenary muse whom I led to the altar of literature. Don't, my boy, put your nose into that yoke! The awful jade will lead you a life!"
That seals it. I thought Henry James was gay, as Colm Toibin takes him, G-string vaudevillian-performance gay. Colm wrote that Mary may have been gay, too. Happy birthday, Colm, May 30!
Torah, Old and New Testaments, diverse translations.
Study Questions:
I NEED INFORMATION ABOUT CHILDBEARING DURING TIME OF JESUS. B/C ME. WAS FERTILITY REPRESSED OR SUPPRESSED THEN? I READ THAT THE WORLD POPULATION WAS 300 MILLION. WHY IS JESUS' VERY BIRTH HERALDED AS MIRACULOUS? YET HIS BIRTH IS REGARDED AS NATURAL, WHILE HIS CONCEPTION IS REGARDED AS DIVINE. DO PAINTINGS OF HIS BIRTH EXIST?
In other news (to me): Pushkin published his play, "Mozart and Salieri," in 1832.
RECOMMENDED CRAFT GUIDE:
Josip Novakovich, _Fiction Writer's Workshop_ (2nd ed., Story Press, 2008)
1 Sources of Fiction -- Where and How to Find Material
2 Setting -- Evoking a Vivid Sense of Place and Time
3 Character -- Inventing Fictional People
4 Plot -- Strategies of Organization and Structure
5 Point of View -- Selecting the Best Viewpoint
6 Dialogue and Scene -- Handling Dramatic Action
7 Beginnings and Endings -- Options and Techniques for Opening and Closing
8 Description and Word Choice -- Choosing Effective Details, Matters of Style
9 Voice -- Finding the Narrative Voice, Creating the Voices of the Characters
10 Revision -- Transforming the First Draft into Finished, Polished Fiction
Brief Anthology of Short Stories
Index
About the Author
"Many writers avoid laying out the setting because they fear boring their readers, but the lack of a vivid setting may, in turn, cause boredom." (p. 26)
ON WRITING WELL -- William Zinsser
FAST FICTION -- Roberta Allen
SCREENWRITER'S BIBLE -- David Trottier
REVISING FICTION -- David Madden
ELEMENTS OF STYLE -- Strunk & White
Speaking of Henry James, Ann, for those in shape for heavy lifting ( always the case with James) his collected prefaces to his novels--THE ART OF THE NOVEL--is likely the best text ever on the subject.
Will do, David, when I've finished feather dusting Pound (_ABC of Reading_) ... no one yet has answered my questions: Was he interrogating Christianity in his work? Yes, according to an East Asian scholar. Was he in debt? Who knows, not found yet. He went to Italy in the early 20s. He broadcast 3 years around 1940. He was arrested after fascism fell. Was his March 15, 1942 broadcast as transcribed the most offensive, least, average -- is it indicative of his transcripts? Do poets stop to consider his poetry as neoclassicist? Is influence his humane gift? Asking these and other subjects and reestablishing myself as someone with one even two computers (after both old ones broke within weeks). ~~ Great lists! ~~
Zinsser's "On Writing Well" was my "go to" book when I first started. OKim Addonizio's "Ordinary Genius" generated some interesting work too.
A book about writers which is generating story ideas in my head: The Trip to Echo Springs, on writers and drinking by Olivia Laing.
The Paris Review interviews. A great many of them are available online: