by Mike Young
Adrian shut his phone. "There. How easy was that?"
"You promised whiskey?" I said. "We don't have any."
"We'll figure something out." He lit a cigarette over the stove.
"With the liquor stores closed."
"Let your night deliver, bud. I've declared it your night."
But our friends were asleep or stingy. Even so, we bundled up and drove off. Adrian's car has a red spoiler. Night turned to snow. Spires, parkas, oaks. Our headlights auditioned it plenty.
"Empty handed is bad," I said.
"She'll still do it."
"You, maybe. She'll do you."
He laughed. "Crazy guy."
I made him stop at an AM-PM. We bought a bag of barbecue chips and a yellow rose. Those days, we were testing our keels, sloshing against whatever rose most wicked. On the way to Beth Anne's apartment, we passed a man on the shoulder heaving a couch back up to his truckbed. Alone with no gloves. Passed is right.
"Barbecue chips," Beth Anne said. "My least favorite." She filled a mason jar with water and dunked the rose. We'd bought a real one, right? Who could tell.
Adrian picked her up and twirled her a little. She scrunched her face, but a kind of smile anyway.
"Does that mean you hate them?" I asked.
"That's different," Adrian said.
"It does," Beth Anne said.
"What? Least favorite and hate are two very different things."
"No."
"I thought so," I said.
"Put me down," Beth Anne said. He did. Then he sighed, cracked his knuckles, found the couch. "Isn't there any music?" Off came the fur-necked overcoat, the cardigan, up and off the tanktop. Adrian's chest looks too small for its tattoo.
Beth Anne rolled her eyes and went into her bedroom. Adrian tapped a finger on his mouth and grinned. I followed her.
Purple blanket, ripped in a spot. And a sleeping bag on top of that. I guess she got cold. Plant labeled DON'T LET ME DIE and an antique Playboy, Farrah Fawcett on the cover. Beth Anne bent over a cardboard box in the corner--those days, we were perpetually fresh tenants, a new lease just autographed, knowing how to bend over but not how to unpack--and poked at CDs.
"Here I've known you for weeks," she said. "And I don't even know what kind of music you like."
"Weeks," I said.
"Did you like the music in the play?"
"It was great. It was funny."
She laughed and turned to me. "What, the deathbed croon?"
"We didn't really see the play. Adrian made that up."
"Look at this shock. All over my body." She balled her fists and faked a quivering.
"If you die," I said, "will you sing to me?"
She sang: "Oh Lady Midnight, I fear that you grow cold."
"The stars eat your body," I said.
"It's all they ever think about, those stars."
"Fucking stars."
"Bang bang. There. Now they're dead too."
I smiled. "I like anything. You know."
"Let's pick something Adrian hates."
"No more Adrian," I said.
She scooped a mess of CDs and flung them up. Some landed on the bed. We looked at the bed.
"You don't have any whiskey," she said.
"Also his idea."
"Or any ideas, I guess."
That wasn't true.
"Can I open that window?" I said. She nodded. I crawled onto the bed, my knee crunching a jewel case. Beth Anne stepped over and lay her head on my shoulder. "Weeks," she whispered. Or weak? What would that mean? Later, I would remember wanting to hear for sure, waiting on a polished whisper.
Instead, Adrian walked in. Him I heard. He pshawed and went behind Beth Anne, pushed her enough to push me and crumple us all bedward. My neck landed weirdly on a CD case, and Beth Anne's hair swirled over my chest. Adrian knelt on the bed and petted her hair.
"Asshole," Beth Anne said, her voice muffled in my sweater.
"There's so much music," Adrian said. "I think all of it's dance music."
"Adrian," I said, motioning to the door with my eyes.
"All this music, bud. Where's the dancing?"
Beth Anne twisted free and stood up on the bed. She tried to kick at Adrian's face, but when he seized her ankle, she let him. Like he was proposing, slipping the ring on a toe. For some reason, we thought those days were a grace period. Free trial. There was a lot of shit tried, yes, but none of it grace.
I bucked my shoulder into Adrian's jaw. That toppled Beth Anne, whose legs slid over my hair as she pitched sideways. She rapped her head on the nightstand lamp, knocking it down. Adrian--now on the floor with me--grabbed my hair and yanked. When I yelped he laughed. He scooted around, pulling me along. Then he pushed my head away and stood, tripped on a pair of black leggings and fell again. Somewhere in a puddle of light Beth Anne said "fuck fuck oh fuck."
Adrian wriggled across the carpet and touched Beth Anne's leg. His other hand fiddled at his belt. When I saw his head duck toward Beth Anne's waist, one arm reaching over her body to yank the lamp cord out of the wall, a blue hammer took care of my lungs.
Another night, inside his car, Adrian said: "What if we were boring people?"
"Footstools," I said. "Green beans and American Idol."
"That won't ever happen. Never ever, baby."
One time he carried a girl to his car, barefoot. Your majesty style. They drove all night to Cape Cod and broke into the attic of an off-season motel--fucking, I guess, to the stir of that night's ocean. She still lives in town. Lunches on Ativan, a little cranberry juice. She looks like an Egyptian goddess and Adrian points her out when we see her. Sometimes I see the real God, in a wide-hemmed butcher's apron, wiping his hands and trembling. It's your cut, he says. Fry it, eat it raw. I don't care. My line is too long for these kinds of games. Look behind you. All of those people know what they want.
7
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Originally published in Pindeldyboz.com.
good shit mike.
beauty of a last line (hey look ma i can open stories!)
Excellent. I love the originality in the narrative, eg: "Those days, we were testing our keels, sloshing against whatever rose most wicked."
love this one, m-great sfufff
This is just fantastic. I love the voice.
riveting voice, superb writing. very special.
This is so compelling, wonderful writing! The voice is so winning.
tightness
thanks for all the flattering comments everyone! y'all are too nice
whoa.
whoa indeeed (really). nonetheless, i'm gonna nitpick, because i feel like that's what this is for. i know you have a super distinct style but i feel like there are parts where being moderately more accessible wouldn't hurt the voice. The "Beth Anne bent over a cardboard box..." sentence with the odd aside in the middle, for instance. Can't see why it's an aside rather than a separate sentence. In general, this fucking rules. Love the format with the brief little scene at the end. Love the dialogue. Did I just execute the utter cliche of the complement sandwich? Fuck.
oh. this has already been published. what? i think i'm missing the point of this site.
thanks, josh! it's okay, i don't understand the point of this site either.
i think with that aside i was playing with the idea of the "timeless moment" or something. or to be honest i think i just intuitively more than consciously felt that happen while writing the moment, like i wrote about the bending over and i "suddenly" thought "oh jeez we're always doing that" and so tried to be faithful to that intuition
i think it looks worse without the real em dashes. — — —
josh and mike, i think the point of the new, public site, is to bring stories like this to the collective. i'd read it before but i don't think a lot of folks had.
used to be, before the place went public, that folks published all sorts of drafts on the main page for feedback. i have a little workshoppy group, invite-only, so that editors won't consider stuff posted as "published."
oh and i still think comments like josh's on published pieces can help. matt bell provided invaluable edits to a published piece that i then cleaned up before including in a chap submission. also, many of my stories that get pub'd in journals online or print never net me one word from anyone...sometimes when posted here, i can get all sorts of feedback. dunno, tho, how the wind will blow.
heh, meant "a lot of folks on here had". no doubt pboz gets lots of hits...
yeah, i think you're right david. i think it's a cool site; i was just being kind of tongue-in-cheek, heh. it is really nice to read other peoples' stories and talk about them directly to the person. it's like a giant salon or something. i like it.
heh, thanks mike, i like the giant salon. jesus, i just re-read my first para and it felt kinda didactic. shit, sorry about that. i know you didn't take it that way but still.
the direct to person thing is so cool. when i used to read great ss and/or novels in junior high, hs, college, law school, and even in the late 90's...i always thought about mailing letters to the authors. amazing, now, how much interaction there is. i know a lot of writers feel syconphantic complimenting pieces (and i have good writer friends who think fictionaut is no more than a cheering squad type place) but what the fuck, ya know. with the amount of journals out there and all the other shit we have going on, nothing wrong with "double publishing" a piece and letting at least some folks read it here for the first time. and i'm not too proud or shame-faced to tell someone i like their piece. thanks and yeah sorry to blather. my fiction is short but my comments are as tall as joe young
Excellent balance of almost lyrical prose-moments with stark and spare dialogue. I was struck by the line Cami pulled as well, dreamily jarred. Great ear and a great singing voice, Mr. Young.
Apparently both Mr. Erlewine and myself have our pom-poms out. Why not?
This reads like an indie film - Jesus' Son - except it would need a VO to deliver all of the fine poetry in the lines. The dialogue's always a surprise, as are the images: the CD crunches under a knee, a ring gets slipped on a toe, hair's swirled over a chest. I like this.
thanks, pia and zack!
pia, jesus' son is great, and it's based on an even better book of short stories by denis johnson.. i think you'd love it if you liked the movie!
I know it very well! Isn't there VO in the movie version? I can't remember. There should be.
oh yeah, there is definitely VO in the movie! haha, i thought you'd already heard of the book!
never, ever baby....lol. great story man.