Forum / A stale device?

  • Markbudman.thumb
    Mark Budman
    Aug 12, 05:13pm

    I think that giving the name, rank and serial number of the protagonist in the first sentence has become a very stale device. OK, no serial number, just the name. I know it's convenient, and it has been done successfully before, but that doesn't make it any more stale. Thoughts?

  • Night_chorus_book_cover.thumb
    Joani Reese
    Aug 12, 05:45pm

    As with almost every trope, it depends on the context. For example, what if the plot revolved around the emotional underpinnings of the protagonist's name? I.e., "Candy hated her name, and she hated her mother for branding her with it..."

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    James Lloyd Davis
    Aug 12, 08:15pm

    I will take that as a challenge to provide, in my next flash fiction, the name, rank, and serial number of the protagonist. Better yet, the first words of the first sentence will contain this information.

    Why?

    Because it sounded like a rule. I must break it ...

  • Me.thumb
    Foster Trecost
    Aug 12, 08:16pm

    For longer works, I agree with you. For shorter works such as flash fiction, I think leading with a name is fine, but to be honest, what does a name add to a short piece? Something for me to think about.

  • S._tepper--nov--lighter.thumb
    Susan Tepper
    Aug 12, 09:57pm

    I don't think there are any hard and fast rules on this. A good writer can make just about anything work. Alice Munro is said to break every "so called rule" and she is one our best working writers today.

  • Sig_author.thumb
    Randal Houle
    Aug 13, 04:09am

    My name is Randal Houle, citizen (maybe even rank citizen) serial number 54839.

    I like that we're talking about this. Sometimes not knowing is so much better than knowing. :)

  • Fictionaut.thumb
    W.F. Lantry
    Aug 13, 06:31am

    Call me Ishmael. ;)

  • Night_chorus_book_cover.thumb
    Joani Reese
    Aug 13, 12:40pm

    Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.

  • With_ted_3.thumb
    Bill Yarrow
    Aug 13, 12:48pm

    What makes something stale? Success.

  • S._tepper--nov--lighter.thumb
    Susan Tepper
    Aug 13, 01:57pm

    Give me stale success over ripe nothingness any day..

  • S._tepper--nov--lighter.thumb
    Susan Tepper
    Aug 13, 02:15pm

    "Lady Gaga carefully places a bag on the dry cleaner's counter as if it contains a garment made of Swarovski crystals."

    Duh. Am I missing something here in this forum posting?

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    James Lloyd Davis
    Aug 13, 02:26pm

    < equally confused. Success makes something stale? Obviously missing the broader implications on that.

  • Jalousie.thumb
    stephen hastings-king
    Aug 13, 04:19pm

    analogy time!

    1-4-5 chord progressions are pretty stale. they're everywhere. but people still like em tho. i'm glad that people like them and that others like playing them because people like them.

    there are still other people who are not interested by that sequence or by traditional closed voicings of them or by the kind of music that never shuts up, so they do other things.

    a peaceful co-existence obtains amongst the strata. some of those strata are not bothered with any of that pesky money business. or with being known outside some underground. and each underground has cliches of its own. so i dont know.

    repetition of the same thing in the same way makes things stale. but they're also the basis for dominant ideologies. because people also like to inhabit what gets repeated all the time in the same way. go figure.

  • Img_0654-2.thumb
    MaryAnne Kolton
    Aug 14, 02:48am

    James Lloyd Davis arrived at the party one hour late wearing only a sky blue bath sheet wrapped around his torso. The guests who yelled "Surprise!" upon his entrance were quite a bit more surprised than he was.

  • Dscf0571.thumb
    David Ackley
    Aug 14, 05:18pm

    As Gregor Samsa awoke one morning from an uneasy sleep he found himself transformed in his bed into a gigantic insect.

  • S._tepper--nov--lighter.thumb
    Susan Tepper
    Aug 14, 11:19pm

    Cockroach, baby. Eck!

  • Me.thumb
    Foster Trecost
    Aug 15, 02:37pm

    I no longer feel so bad about opening my story with a name - in fact, I feel pretty good about it now.

  • Author_photo.thumb
    James Lloyd Davis
    Aug 15, 03:35pm

    If it's good enough for Kafka ...

  • S._tepper--nov--lighter.thumb
    Susan Tepper
    Aug 16, 04:21pm

    Boy do I love that Kafka... How about The Warden of the Tomb for some light reading..

  • Jalousie.thumb
    stephen hastings-king
    Aug 16, 07:04pm

    it's surprising to see implied that the interesting part of the first sentence in the metamorphosis is the name gregor samsa.

  • Night_chorus_book_cover.thumb
    Joani Reese
    Aug 16, 11:26pm

    Stephen-- Whatever can you mean? There's something more compelling than Mr. Samsa's name in that opening sentence?

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    David Ackley
    Aug 17, 12:36am

    From the responses above, it's hard to find the implication that the name is what's interesting in the sentence, Stephen. I quoted it as a well-known example of what we'd been discussing. In other instances
    ( Joseph K-- e.g.) Kafka goes for partial anonymity. Just why Kafka chose to name the character in this instance is a good question, I think.

  • With_ted_3.thumb
    Bill Yarrow
    Aug 17, 01:05am

    Samsa=Kafka. A's identical. S's and K's in same positions. "The Metamorphosis" (aka "A Bug's Life") written ten years before Joseph K shows up in "The Trial." Why the switch? An attempt at a slightly, very slightly, less obvious autobiographical disguise.

  • Jalousie.thumb
    stephen hastings-king
    Aug 17, 02:59pm

    david---i wasn't talking about the sentence in itself. more about the position it occupies in the thread and the role it appeared to me to play in it. i just thought it peculiar.

    for what it's worth, i don't particularly like using proper names at all. they have a lot of weight and that weight does particular kinds of work that doesn't interest me at this point. they anchor things in an entirely fictional concreteness, one that's at cross-purposes with the basic characteristics of sentences themselves, which in written form is the organization of categories or generalities. it's been interesting working a space that tries to play with the relation of the general to the particular, figuring out what opens it up and what shuts it down. but this is about the functions of using proper names in general, not so much in using them in one's opening line. and my position is shaped by a particular conceptual game--it may well be that when i shift into another, the relation to using proper names will change. but i've learned a lot from not using them. that'll likely stick around.

  • Dscf0571.thumb
    David Ackley
    Aug 17, 06:06pm

    Stephen's point that names " anchor things in an entirely fictional concreteness " is closer to my way of thinking than the autobiographical referencing, Bill, which I take to be a given with Kafka's work in general. To me "Gregor Samsa" signals the meticulously detailed and stifling psychological and social reality( leaving aside the bug thing for a moment) of "Metamorphisis." It's been a while since I re-read "The Trial" so I may be wrong, but the memory is of a work more distanced, abstracted and dealing more with cool types than the sweating, anxious, immediate people of Metamorphisis. If that's right, then Joseph K is something like the type petitioner/victim than the more physically present and individual bug/man "Gregor Samsa."

  • Dscf0571.thumb
    David Ackley
    Aug 19, 12:34pm

    Damn, killed another thread.

  • Author_photo.thumb
    James Lloyd Davis
    Aug 19, 05:09pm

    It wasn't you, David, but Kafka.

    "Kafka did it."

  • Jalousie.thumb
    stephen hastings-king
    Aug 19, 06:57pm

    kafka was a notorious party-pooper.

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    James Lloyd Davis
    Aug 19, 10:01pm

    Kafka wrote the screenplay for the "Autobiography of David Mamet."

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