When Alone
by Katrina Denza
She'd sit out on the back deck and dig into the skin around her toenails with a paring knife until it bled. He'd listen to a single aria of Opera's Greatest Hits, number 10, until the cusp of some feeling, either despair or rage, would build and fade. Then he'd start it again. She'd make a list of things she most wanted and after, she'd go back to the top and slash lines through each one. He'd stand in the garage and sort through his dead father's cans of nails, picking through for the rusted ones, resting his tongue on the metallic crust. She'd sit naked in an empty tub, stare at the top of her chapped knees, and cup her breasts in her hands, comforted by the weight. He'd walk down the cellar stairs, to the stash of Lego blocks hidden in a hole in the wall, behind the cat carrier, and build the dump truck, the same one the boy would build, and hold it up and say to the cat carrier, Here's to you, Babe. She'd sit at the computer, print out the same picture, the one of him in a fireman costume two sizes too big, and kiss it before flushing the pieces down the toilet. On the way to work, he'd figure out, based on a certain percentage, how much of his earnings that day would go to the hospital. She'd mix habanera sauce and lemonade and drink it until her esophagus spasmed. He'd sneak a Matchbox into his pocket. There were forty-nine on his desk at the dealership. On the way home from the chicken plant, she'd stop at the drugstore and buy a new Matchbox.
"He’d walk down the cellar stairs, to the stash of Lego blocks hidden in a hole in the wall, behind the cat carrier, and build the dump truck, the same one the boy would build, and hold it up and say to the cat carrier, Here’s to you, Babe."
very beautiful sentence - good stuff
This is outstanding. I love the rhythm, the alternation between hope (or a semblance thereof) and despair.
I love much the title works for the first story. That first line, too, made me cringe a little, setting the tone. Nice.
Thank you Barry, Michael and Marcy. Your kind comments are very much appreciated.
The effect of the two perspectives in this tiny piece is incredibly powerful. The detail are arresting. Beautiful.
Thanks, Meg!
wrenching.
Maryanne! It's nice to see you here.
Katrina, This one is fantastic.
Thank you, Timothy.
This is wonderful. It makes me think of that Famous Hemingway story, the one that's a few lines - but I like yours better. This is a portrait of people stretched and pummeled into something monstrously sad. It's one of those shorts that feels as if it never ends, as if, once you get to the end, you go back to the beginning again, stuck with these two in their aloneness.
I don't know why that posted twice. Sorry.
Thanks so much, Claudia!
I love the focus on action in this, each one really, really specific, really unusual and really vivid.
Killer first sentence.
Thanks, Tim!
This is unforgettable.
Elizabeth, thank you!
It sneaks up on you as a good flash should. Thanks Katrina. Enjoyed.