by James Knight
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Paradise Lost is cast into the lake of fire. Satan tells John Milton to rewrite it in 140 characters or fewer.
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Filippo Marinetti languishes in a dismal rural idyll. His hand, possessed, scrawls euphonic odes to the moon with a quill.
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Henri Michaux floats through the eternal peace of his inner space. “Where are the monsters?” he wonders, unhappily.
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“What's this penty nonsense about ‘phantasmal gnomes?'” demands Pound. Eliot tries to explain, but he has lost his voices!
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Wandering lonely as a cloud of smog through the city, Wordsworth looks into an oily puddle but can't find his reflection.
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Tristan Tzara cuts up a newspaper article into its individual words and scatters them. When they land they form sonnets.
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Antonin Artaud wakes from troubled dreams, to find himself transformed into Pam Ayres.
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Shakespeare sits in the drab fluorescence of a classroom. “Take out your copies of Macbeth,” mumbles the teacher.
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Fluttering letters perch on the page, spelling APOLLINAIRE. Then a noise startles them and they disperse forever.
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Coleridge scratches at the door. The visions are seeping into his lungs. Where's the man from Porlock? When will this end?
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SOMEONE TURNS
THE VOLUME UP
ON E E CUMMINGS
AND HE IS DEAFENED
AND FLATTENED
BY HIS OWN POEMS
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William Blake realises that the physical universe is everything.
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André Breton claws his way out of the negligée and lies, spent, on the tiled floor. Towers of washing-up await him.
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This piece was originally published as a series of tweets.
Some good stuff here.