by Chris Miller
The buzz of the tattoo guns is the first thing Dan hears when he opens the dilapidated screen door, and a handful of bearded, inked up guys look at him with nonchalance.
One of the artists walks up to him, but not before finishing a conversation with a colleague about which favorite band has the best drummer.
“What can I do for you?” he asks Dan, who then rolls up his shirt sleeve to reveal a list of names etched into his arm, with lines through them, like a scrawled timetable on a prison wall. The last name on the list is the only one without a strikethrough line: “Jennifer,” it reads in cursive font.
The tattooist lets out an exasperated whistle. “That's a hell of a cover-up job.”
“No cover-up. I need to add a new name,” says Dan, and the tattoo artist shakes his head.
“Why do you keep doing this if you just want to forget them?”
“I do it so I can remember,” Dan says.
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